We were cruising the internet a few weeks ago and noticed a comment from a self-proclaimed car audio expert that new speakers and subwoofers need to be broken in at low power levels. He made it particularly clear that the voice coil needed to be broken in gently. If you’ve ever considered how a speaker works from more than an “it makes sound” perspective or you have a grasp of basic electrical theory, then you’ll know that these are not accurate statements.

Speaker Components and Break-In

We aren’t going to beat around the bush on this one. The only part of a new speaker that will change from its brand-new-in-box condition after several hours of playtime is the spider. Many spiders are made from cotton or Nomex that’s impregnated with a phenolic resin. When new, the spider can be somewhat stiff compared to after it’s been played for a few hours. The short and sweet of this is, once the spider has been stretched a bit, it’s good to go. An hour or two of playtime at high volume levels is usually more than adequate to make it softer and more flexible.

The important question is, does the sound change before and after? Indeed it does – a bit. A subwoofer or midbass driver might play a little lower, and the total Q of the system should drop a bit once everything is broken in. For midbass drivers, the reduction in system Q might reduce some upper-bass resonance, so frequencies under 250 Hz might seem less distorted.

Breaking In Speaker Voice Coils

We have to apologize. We’re sitting here laughing to ourselves about the audiophile myths that speaker wire needs to be broken in or conditioned before critical listening can commence. Er, no. Wire is wire. It doesn’t rearrange its molecules when an audio signal passes unless, of course, you get the wire SO hot that it starts to glow. Sure, electrons jump between the copper (and aluminum and tin) molecules, but that doesn’t rearrange them.

The voice coil in your speakers is nothing more than a piece of wire (or maybe two) that is wrapped around a cylinder. The wire is attached to the speaker terminals with flexible conductors called tinsel leads. It’s wire. It’s just wire. Nothing more. You don’t need to condition it or break it in.

Comparing New and Broken-In Speakers

As we often do, let’s perform a little test. We borrowed a JL Audio 12W1v3-2 subwoofer from our friends at Burlington Radioactive. All of the subwoofers we have around here have several hours of use on them. We’ll measure the Thiele-Small parameters of the driver, then let it play for a few hours at a high excursion level to soften the suspension. We’ll measure it again once it’s cooled to see what, if anything, has changed.

As you can see from the above specs, the Cms specification, which describes the compliance of the driver suspension, is 108.48 micrometers per Newton. All the other small-signal analysis parameters (Fs, Qes, Qms, Qts and Vas) include the Cms value in their calculations. If this parameter changes, then the rest will change. Let’s see what happens after 4 hours of exercising the woofer with a 27 Hz sine wave at 10 volts into a 2-ohm load.

After eight hours of playing on our bench and another hour to cool off, we repeated the Small-Signal Thiele-Small parameter measurements using our Smith and Larson Woofer Test 2. The Cms compliance specification has increased to 142.57 micrometers per Newton. That’s an increase of just over 31%. Likewise, the Vas specification rose from 42.15 to 55.35 liters. This clearly indicates that the suspension is now softer, or more accurately, more compliant. However, as each driver specification works in conjunction with many other parameters, it doesn’t mean performance will change by 31%. So, let’s model the two sets of parameters in BassBox Pro.

And voila – our hypothesis came true. On this woofer, breaking it in for eight or so hours resulted in an increase in output of just about 1 dB at 30 Hz. That’s not significant. We like that the system Q dropped from 0.707 to 0.69, but again, that’s not something to write home about. Likely, you’d never notice these changes.

The performance benefits of breaking in a subwoofer depend on the design and materials used in the suspension. This JL Audio W1v3 woofer didn’t change much, which means you are pretty much good to go as soon as you buy it. However, some speakers change more after several hours of playtime – we’ve heard it many times.

What You Need to Know About a New Audio System

If you’ve had a new audio system installed in your car or truck and there is no plan to calibrate it with an equalizer or digital signal processor, then get in the car and enjoy it. Play it as loudly as you want. Oh, and please don’t adjust the amplifier settings.

If you have a system installed that will be equalized, then there are some considerations in terms of speaker break-in. Many shops will calibrate the system with their real-time audio analyzer to match a target curve once the installation is complete. They may suggest enjoying the system for a few weeks or months, then returning to the shop so they can give it a quick tweak to address anything you might like changed. Many people like different amounts of bass or highs, so a little fine-tuning is normal. Many shops use a target response curve that includes a lot of midbass boost. Most people realize that this unnatural balance makes male voices sound exaggerated. It might be fun for listening to drums or a bass guitar, but it’s not natural. Nevertheless, a few equalizer tweaks after 20 or 30 hours of playtime is common.

Do You Need a Special Process to Break Your Car Audio Speakers In?

Do you need to break in your new speakers or subwoofers? No. You don’t. They work just fine out of the box and will handle all the power they are rated for. Actually, the stiffer spider means the woofer will move less for a given amount of power from your amplifier. If cone excursion might be an issue, it’s more likely to show up after the woofer has been exercised for a while.

Drop by your local specialty mobile enhancement retailer today to find out what speaker and subwoofer upgrades are available to make your car audio system sound amazing! And don’t fret about breaking everything in – just enjoy!

Image Credit: Thanks to Dave from Andre’s Electronic Experts in Kamloops, British Columbia, for the lead-in and voice coil images.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Decades ago, car audio professionals were adamant about the statement that tweeters needed to be installed right beside the midrange speakers in your car audio system. Is this accurate? The answer is that it depends on a few variables. Keeping them close can’t hurt, but it might come at the expense of improving the soundstage location in your audio system.

Why Did Tweeters Need To Be Installed Beside Midrange Speakers?

Decades ago, almost everyone used passive crossover networks to divide the audio signals from the source unit or amplifier in car audio systems between the tweeter and midrange drivers. Passive crossover design is much more complex than most people understand. The values of the components need to be altered based on proximity, distance and even the direction the midrange and tweeters are facing.

Most crossover networks were designed to provide a smooth transition from the woofer to the tweeter when both are installed beside the other on the same plane. Imagine what you see in a car audio display at your local specialist retailer as this reference. The reality is, this isn’t how many of these systems are installed in a vehicle. A few companies caught on to this and designed their networks to deliver smooth response in typical installation situations.

Back in 2005, our friends at Of Sound Mind Labs were reviewing a set of car audio speakers for a car audio magazine. As part of the process, they took frequency response measurements with the tweeter mounted on the same plane as the 6.5-inch woofer from the set.

The large dips around 1,000 and 5,500 hertz certainly aren’t ideal. Worse, boosting around 5.5 kHz with an equalizer will dramatically increase the work the tweeter needs to do and could cause damage at high volume levels.

After a discussing the measurements with the engineering team that designed the speaker set, it was revealed that the intended application was for the listener to be about 45 degrees off-axis to the midrange, and the tweeter was to be angled toward the listening position and installed beside the midrange using the included surface-mounting installation kit. The reviewer added the tweeter mount and measured the system off-axis as described.

As you can clearly see, the response is now amazingly flat through the 1 kHz and 5 kHz ranges. There was no equalization applied – the crossovers were optimized to deliver a smooth response in configuration. Frustratingly, this information wasn’t in the owner’s manual.

Adjustable Passive Crossover Networks

Over the years, a few companies have offered adjustable passive crossover networks. The intent was to allow your technician to fine-tune each speaker’s output around the crossover frequency for different installation locations. Alpine and Focal were good examples of this crossover-configured flexibility. This solution wasn’t perfect but was much better than not having any adjustment at all.

Modern Audio Installations

In the last few years, car audio digital signal processors have become popular and much more affordable. Aside from equalizing each speaker’s output in the audio system, a significant benefit of a DSP is that your installer can adjust the crossover points and apply signal delay to each speaker to ensure that the output of each arrives at the listening position in-phase. What does all this gobbledygook mean? Your tweeters don’t have to be installed right beside the midrange speaker, so long as the technician working on your car or truck knows how to use the DSP features to produce a smooth response in the vehicle.

Let the Experts Design and Install Your Car Stereo System

More often than not, information about the proper application of passive crossover networks is only shared with authorized retailers. The staff at these facilities invests a significant amount of time and money in attending manufacturer and industry training events in order to glean this sort of information and deliver the best possible solutions for clients. Likewise, the training offered by DSP manufacturers allows experienced retailers to configure and calibrate your audio system efficiently and accurately.

Too Long; Didn’t Read – Do Tweeters Need To Be Installed Near Midrange Speakers?

The short and sweet answer to the question about installing tweeters near midrange speakers in a car audio system is that it depends on the crossovers. The improvement in stage height afforded by having the tweeters in the sail panels or A-pillars instead of low in the doors is just one small reason modern car audio systems should be designed and calibrated with a digital signal processor. Drop by your local specialty mobile enhancement retailer today and audition one of their demo vehicles. Based on your feedback about what you hear and enjoy, they can design an audio system that will deliver the performance you want in your car or truck.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Car audio amplifier designs have changed a great deal over the last few decades. Modern amplifiers have more features along with improved efficiency, and they offer consumers better value than their predecessors. This article will examine the key components in the construction of mobile audio amplifiers, their evolution and their benefits.

Amplifier Design Balances Power and Efficiency

When an engineer sets out to design an amplifier, he has to specify the value, size and tolerance of hundreds of different components. The most crucial of these in terms of the amplifier’s performance are the operational amplifiers (op-amps), the transistors or integrated circuits used in the driver stage and the transistors or MOSFETS used in the output stage.

Transistor Cases

Many early audio amplifier designs used TO-3-case transistors. These large cases were primarily a heatsink for the small circuit inside. Fine leads connected the pins on the bottom to the board and to the terminals. TO-3 case devices were introduced by Motorola around 1955 as an upgrade over vacuum tubes. While the metal can offers a good amount of thermal capacity, the size makes amplifiers unnecessarily large.

TO-220 and TO-265 plastic case transistors and MOSFETS allowed designers to dramatically reduce the size of amplifiers. These cases were much easier to attach to a heatsink, and the reduction in connection length between the terminals, along with advancements in component construction, allowed for improved efficiency and faster switching speeds.

Modern surface-mount transistors and MOSFETS can pass amazing amounts of current with blindingly fast switching speeds. The increase in switching speed has improved the quality of Class-D audio circuits to where they rival many A/B designs. Equally, lower internal resistance values allow these devices to shrink in overall size, making amplifier designs more compact.

Product Assembly

A significant part of the cost of building an amplifier is in the time it takes to place components on the circuit board. Through-hole devices like capacitors, inductors, TO-220/TO-265 case transistors, MOSFETS and resistors need to be placed by hand. This is a slow and costly process.

More modern designs use surface-mount capacitors, op-amps, MOSFETS, resistors and diodes that can be placed by machine then passed through a soldering machine. Not only is the assembly process faster and less costly, but the parts themselves are also typically less expensive and reduce the bill of materials (BOM) cost of the amp. In short, you get much better value for your dollar.

Some large components, such as power supply capacitors, high-power resistors and large-value inductors, still need to be placed by hand. The sheer size of these components prohibits them from being located automatically.

Modern Amplifier Designs Delivery Better Performance

If you’re shopping for a new amplifier for your car or truck, drop by your local specialty mobile enhancement retailer today and check out the latest designs that deliver impressive sound quality and performance. Newer amplifiers offer increased accuracy and efficiency – a combination that helps make your music sound better than ever.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

There’s a strange car audio myth that claims you can’t mix different brands of source units, speakers, amplifiers, subwoofers and signal processors in the same audio system. While it might be fun for a distributor, sales representative or employee at a car audio retailer to do a one-brand build, chances are you’ll want to pick and choose from the different brands at the store you are dealing with to get the most bang for your buck.

Source Units

Whether you choose Sony, Kenwood, Pioneer or Alpine for your source doesn’t matter in passing audio to a digital signal processor or an amplifier. Almost all source units provide a low-voltage audio output called a pre-amp signal. Some models have pre-amp outputs rated for 1.8 to 2.0 volts, while others have high-voltage outputs capable of 5 volts. The different voltage does affect how loudly your system can play but may reduce background noise in the system by allowing your installer to turn down the sensitivity control on your amplifier.

When shopping for a source unit for your car audio system, you will want to balance features and specifications with an easy-to-use interface. If you can’t walk up to a radio on display at the local car stereo shop and figure out how to use it, the interface is likely either too complex or not thought out well enough. Trying a radio and connecting it to your smartphone is a crucial part of the purchase process.

Digital Signal Processor

If you plan to have a DSP in your car, something that’s crucial to recreating an authentic listening experience, there are three options for feeding a signal into the processor. All processors will accept analog pre-amp signals from any source unit on the market. Some processors include digital audio inputs that use a TOSLINK fiber-optic connector or an RCA jack. If the factory radio in your car or truck can’t be upgraded easily, several interfaces are available that provide analog and digital outputs. Some processors have Bluetooth audio receivers built in or available as an option. You can stream music from your smartphone directly to the DSP and bypass a source unit altogether.

The type of processor you choose is tied directly to the design of your car’s audio system. If you are running a set of components and a subwoofer, then six channels are more than enough. If you want to upgrade an elaborate factory-installed audio system that includes an upmixer, then you might need as many as 18 or 20 channels of processing.

Car Audio Amplifiers

Just as with processors, almost every amplifier is designed with analog audio inputs that work with the pre-amp signal from a source unit or processor. Some amplifiers include additional components or circuitry that allows them to be used with the speaker outputs of a factory-installed audio system.

Amplifiers increase the voltage of the signal coming from the source unit, and the relatively low impedance of the speakers in your car or truck results in reasonable amounts of power being produced.

Speakers and Subwoofers Take Some Attention

Where source units, processors and amplifiers don’t care what feeds them, the speakers you choose need to be of the correct impedance for the amplifier you are using. Most car audio speakers have a nominally 4-ohm design, but some subwoofers offer impedances as low as 1 ohm. Mixing and matching brands doesn’t matter, but choosing the proper impedance does. The product specialist you are working with can help ensure that you get the right combination.

Expert Technicians Make It All Work

No matter what brands you choose, you’ll need someone who can integrate everything into your vehicle so that it will function properly and reliably. Unlike home audio systems, it’s not just a matter of plugging everything in. The colors of factory wiring need to be matched to the connections on a new radio or speaker. Likewise, the products you’ve chosen need to be mounted securely, and the cables that run between components need to be routed safely. Selecting a professional installer is often more difficult than choosing the audio components for your system. With that said, it’s worth researching to find the best company to upgrade the audio system in your vehicle.

Too Long; Didn’t Read

The bottom line is that few companies excel in all areas of car audio components. Some offer excellent amplifiers and signal processors, some make great source units, and others have amazing speakers. Mixing the best products across several brands can result in an audio system that sounds amazing and offers the features you want. Start your shopping at the specialty mobile enhancement retailers near you to find out what options are available to upgrade the stereo in your car or truck today!

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Not long ago, we saw a post where someone asked whether they needed to dedicate a channel of their digital signal processor to equalize the subwoofer in their car audio system. As usual, several amateurs chimed in with their opinions, but nobody presented any facts supporting a yes or no answer. As professionals, when we’re challenged with a question to which many variables can affect the answer, the best bet is to set up an experiment. Let’s find out if your sub needs equalization to sound great.

What Happens When You Install a Subwoofer in Your Car?

Since we already have the data from one of the Test Drive Reviews the BestCarAudio.com team is working on, let’s look at the Rockford Fosgate P500-12P subwoofer system and analyze its performance in and out of the vehicle.

The graph below shows a frequency response sweep of this impressively compact 12-inch enclosure with the sub sitting in the middle of a parking lot.

Given the roughly 1-cubic-foot volume of the enclosure, it’s no surprise that the response looks like it has energy focused around 70 Hz. Most would say that this system won’t deliver good low-frequency performance in a vehicle. They’d be wrong.

The graph below shows what happens to the subwoofer when placed against the back seat of a 2019 Hyundai Santa Fe midsize sport utility vehicle.

There’s 9 dB of boost at 80 Hz and a mind-boggling 19 dB of boost down at 45 Hz. If you think that’s amazing, there’s more than 26 dB more output at 30 Hz. What looked like it might be boomy or peaky on paper now offers amazing extension down to below 30 Hz. It’s clear that the engineers at Rockford Fosgate considered the transfer function that happens when you put a small subwoofer in the relatively small confines of a car or truck.

Let’s Talk About Subwoofer System Equalization

We’re going to brew up a second example using a different amplifier and subwoofer. We dug out an old 12-inch Elemental Designs e12a.22 sub and connected it to one channel of the ARC Audio ARC1000.4 that the BestCarAudio.com team reviewed in early 2021. This amplifier has the IPS8.8 digital signal processor installed, and as such, we have 37 bands of fully parametric equalization available to fine-tune the subwoofer’s response. Let’s start with a baseline measurement of the subwoofer system with all the EQ bands flat.

As is clearly visible, the 60 Hz dip evident in the measurement of the Rockford Fosgate subwoofer remains, and there are smaller dips at 26 and 37 Hz. Left alone, there’s more than 20 dB of variation between 43 and 63 Hz. That’s not what we’d call a smooth response in any sense of the term. It’s time to fire up the parametric EQ and do some tweaking.

After about 20 minutes of cutting and boosting on the subwoofer channel, we’d tamed the resonance at 43 and boosted the dips at 26, 37 and 63 Hz. With another 10 minutes, we could have the range between 36 and 37 even flatter and added some boost at 70 Hz, but we are within a 3 dB window from 21 Hz to 65 Hz, which is close enough for this example.

Upgrade Your Subwoofer System with a DSP Today!

The benefits of equalizing your subwoofer are clearly visible. Whether you are listening to a recording of a pipe organ with someone playing progressively deeper notes or you want to experience a bass drop in your favorite Skrillex track, equalization makes a huge difference. Reproducing different bass frequencies at different volume levels doesn’t accurately represent what was captured in the original recording.

Drop by your local specialty mobile enhancement retailer today to learn about the digital signal processing and equalizer options that are available to fine-tune the output of your car audio system. You’ll be amazed by how much better your car audio system will sound with proper calibration.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.