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Product Spotlight: Rockford Fosgate M5-1500X Marine/Powersports Amp

Rockford Fosgate M5-1500X5

Whether you have a Jeep that gets muddy, a side-by-side that thinks it’s a part-time submarine, or a boat that’s always getting swamped, Rockford Fosgate’s M5-1500X5 powersports amplifier can be the heart of an impressive audio system upgrade. This five-channel amplifier can deliver the power your speakers need to reproduce audio with amazing clarity while driving a subwoofer or two to give your music impact and warmth – all from a single chassis. If you agree that this sounds like the perfect upgrade for your mobile sound system, read on to learn more about this fantastic amplifier.

Rockford Fosgate M5-1500X5 Specifications

The M5-1500X5 amplifier is rated to produce 100 watts per channel from the four main channels and an impressive 600 watts from the subwoofer channel. The front channels can drive 2- or 4-ohm loads while the subwoofer channel is optimized to produce that power into a 2- or 1-ohm load. The sub channel makes 400 watts into a 4-ohm load. If you have an application where you need huge power for a set of tower speakers, the front and rear channel pairs can be bridged to drive a pair of 4-ohm loads with 200 watts to each speaker. Of course, all of the specifications for the amp are compliant with the CTA-2006 standard, so you know you can trust the ratings. Based on our experience with the M5-1000X1, the numbers are likely conservative.

The front, rear and subwoofer channels each have a dedicated sensitivity control, Punch EQ control and a crossover that’s adjustable between 50 and 250 Hz. The Punch EQ allows up to 18 dB of boost at 45 hertz on the subwoofer channel and combines that bass attenuation with treble boost centered at 12.5 kHz on the front channels. The crossover on the front channels can be run in high- or low-pass modes or defeated completely. The adjustable subwoofer channel crossover is always on and limits high-frequency information. Your installer can connect an RCA cable directly to the RCA input for the sub channel, or set the Sub Input Switch off and let the amp combine the signals from the front and rear channel inputs. The subwoofer channel has a fixed -12 dB/octave infrasonic filter that’s set to 30 hertz to protect your subwoofers and optimize their output. There’s also a two- or four-channel switch on the end of the amp by the input connections. Setting this to two-channel mode copies the signal from the front channel inputs to the rear channels.

Rockford Fosgate includes their C.L.E.A.N. input and output monitoring circuit, making it easy for your installer to maximize the signals going into the amp and set the output level controls to deliver maximum performance. They’ve also included a PRESET switch for level and crossover settings for use with their vehicle-specific Motorsports stage kits. These settings can be invoked by activating the PRESET switch on each channel.

Rockford Fosgate M5-1500X5
Your installer has easy access to settings and adjustments for each pair of channels right from the top of the M5-1500X5 amplifier.

The amplifier makes use of several technologies found on other premium Rockford Fosgate amplifiers. The NOMAD protection circuitry guards against short circuits on the speaker connections. The Class-AD and Class-BD designs help to ensure good efficiency to maximize the capabilities of the magneto or alternator and battery on your boat or side-by-side. Likewise, the lightly regulated P.O.W.E.R. technology for the power supply design allows the amplifier to maximize output power when it’s fed with more voltage. Finally, the Maximum Efficiency Heat Sink Application (MEHSA) heat sink design helps to ensure that the amp keeps running when pushed hard by spreading thermal energy throughout the chassis.

Rockford Fosgate M5-1500X5
The Rockford Fosgate M5-1500X5 includes speaker-level and RCA preamp input harnesses to make the amp compatible with all manner of signal sources.

Five-Channel Powersports Amplifier Layout

The M5-1500X5 is based on a 4.25- by 1.7-inch extruded aluminum chassis that’s 12.3 inches long, including the cast aluminum end-caps. The connections for input signals, along with speaker and power output, are made via pigtail harnesses that attach to each end of the amplifier. The harnesses are held in place with screws and feature gaskets to ensure that everything is watertight.

The controls are on the top of the amp on the left side and are protected by a removable cover once set. As you’d expect, the cover includes a rubber gasket to keep water, dust and debris out of the amp. The combination of these waterproofing features gives the amp an IPX6 water and dust intrusion rating. Rockford Fosgate calls this their Element Ready design, and it includes testing for prolonged UV exposure as well as corrosion resistance.

Rockford Fosgate M5-1500X5
The controls on the top of the amp are protected by a watertight removal cover that maintains the IPX6 water intrusion rating.

Upgrade Your Adventure with Rockford Fosgate

Your local authorized Rockford Fosgate dealer would be happy to design an audio system upgrade for your boat, side-by-side, off-roader or Jeep using the M5-1500X5. You can find a dealer near you by using the Dealer Locator on their website. To keep up with the latest new product release, cool events and amazing vehicle features from Rockford Fosgate, be sure to follow them on Facebook, Instagram and their YouTube channel.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: ARTICLES, Marine Audio, PRODUCTS, RESOURCE LIBRARY Tagged With: Rockford Fosgate

Why Does My Sub Amp Have Two Sets of Terminals?

Sub Amp

If you’re shopping for a subwoofer amplifier for your car stereo system, you may have noticed that some have two sets of speaker terminals. In most cases, it’s reasonable to assume that an amp with two positive and two negative speaker connections would be a stereo amp. As you’ll soon see, this isn’t always the case.

Sub Amp Design Process

When an engineer is designing a car audio amplifier, there are lots of criteria to keep in mind. First and foremost is the amount of power the amp will need to produce. Power production has the most significant impact on the cost of an amp, since it determines the size of the heat sink and the power supply, and the number of power supply and output switching devices.

Sub Amp
The Helix P-One is a monoblock amplifier designed to produce 1,500 watts into a 1-ohm-load.

Next, the features to be included in the amp have to be taken into account. All subwoofer amps have a sensitivity control and most have an adjustable low-pass crossover. Some will add an infrasonic filter, a remote level control knob and perhaps a bass boost circuit. The cost of the parts (switches, potentiometers, op-amps, capacitors and resistors) adds to the cost of the amplifier, but also its flexibility and value.

Sub Amp
The ARC Audio X2 2500.1 is a monoblock amplifier that will deliver 2,500-watts into a 1-ohm load.

Use What You Have in Stock

It should come as no surprise that a mono sub amp needs only a single positive and negative speaker terminal. If the company designing the sub amp already has a four-position terminal block in its inventory, then they can use that to eliminate the cost of adding another component they need to stock.

Sub Amp
The impressively compact Sony XM-GS100 monoblock amp will produce up to 600 watts of power into a 2-ohm load.

Inside the amp, the two positive terminals are connected together, as are the two negative terminals. The extra connections are added for convenience to make wiring multiple subwoofers easier. If you have a vehicle like a Jeep Wrangler that is commonly upgraded with two separate subwoofer enclosures, being able to connect two sets of wires is easier. Is there a performance benefit? Not really. If you need to run two sets of speaker wires, the extra connections make that easier, but that’s about it.

Sub Amp
The Audison Voce AV uno mono amplifier is rated to produce 1,700 watts into a 1-ohm load. The symmetrical speaker connections match the output design of the two-channel AV due amplifier.

Upgrade Your Car Stereo with a Subwoofer

If you want to dramatically improve the performance of your car stereo system, drop by your local specialty mobile enhancement retailer today and ask about adding a subwoofer system. They’ll be happy to demonstrate different sub, amp and enclosure options for your vehicle.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: ARTICLES, Car Audio, RESOURCE LIBRARY

Upgrade Your Car with Style and Accent Lights

Car Lights

Custom lights and LED strips have been a staple for car upgrades since the Fast & Furious days. Whether it’s a strip of blue, green or red lights in the footwells or a complete custom amp rack or center console, lighting can add personality, style and flair to your vehicle. Let’s look at some options for adding lights to your car, truck or motorcycle.

A Subtle Approach to Lighting

Sometimes all it takes is a small strip of lighting behind a switch panel or around an amplifier to make a relatively simple upgrade look fantastic. Integrating lighting into your vehicle isn’t as simple as running some wires. The locations for the lights and how their output will be diffused to provide a smooth look is part of the design and construction process. The end results are typically worth the effort.

Car Lights
The team at Avant Garde Design in Palm City, Florida, built a custom center console for a 1969 Camaro. The team engraved the name of the shop that built the car into the acrylic plastic.
Car Lights
Dave Koz and the team at Signature Audio in Scottsdale, Arizona, built a trim panel for an Escort Radar controller with white backlighting to show off the laser-engraved Hennessey logo.
Car Lights
Alan Lindgren from Speed of Sound LLC in Memphis, Tennessee, built this amazing custom console for a resto-mod 1967 Shelby GT500 project.
Car Lights
Doug Ehrenwald from Advanced Coatings and Trim in Indianapolis, Indiana, upgraded this 1972 Cutlass 442 with a full interior swap that includes a Lexus dash and custom lighting.
Car Lights
Cameron “Chimpo” Powell from LIS Audio in Spring Hill, Kansas, created this amazing trunk that features the Spawn logo on the back of the subwoofer enclosure, with storage compartments on either side for detailing supplies.
Car Lights
Brian Mitchell from Liquid Trends in Modesto, California, built this custom truck bed for his local Snap-On sales representative.

Lighting in Audio System Components

The most common place where lighting is added to cars and trucks is when a custom amp rack or subwoofer enclosure is being built. Highlighting the equipment or adding a little style to the install with RGB LED lighting is a great way to make the vehicle stand out.

Car Lights
Sean Duquette from Lomas Glass and Tint in Albuquerque, New Mexico, added lighting to show off the Zapco amplifier and Audiofrog subwoofer in the trunk of this vehicle.
Car Lights
Fadi Khalid from Sweet Wheelz in Mississauga, Ontario, added lighting to this custom subwoofer enclosure and amp rack in the back of this SUV.
Car Lights
Jay Vonder from BPG Motoring in Vancouver, British Columbia, sent us this photo of the accent lighting his team added to the trunk of a Lexus sedan. Each lighting element is addressable, so it can be any color under the rainbow.
Car Lights
This is the trunk of a Cadillac built for Shaquille O’Neal for a TV show. A team of industry veterans, including Fred Lynch from ARC Audio, JT Torres from Automotive Entertainment in Huntington Beach, Tom Miller from Musicar Northwest, Bryan Schmitt from Mobile Solutions and Gary Bell from Define Concepts, brought this project together.
Car Lights
Fred Lynch Arc Audio commissioned a custom subwoofer enclosure from MTI Acoustics to fit in the back of Chip Foose’s Ford F-150. Subtle LED lighting behind the Foose logo gives the project a little extra style.
Car Lights
Joel Joseph from Joseph’s Auto Toy Store in Mesquite, Texas, integrated a piece of back-lit acrylic plastic into the top of this subwoofer enclosure that they built.

Exterior and Under-Vehicle Lighting

Thankfully, the days of real high-voltage neon tubes under cars and trucks are long behind us. Compact LED light pods and RGB strip lighting can be fit into tight spaces, and their compact size helps to protect them from damage. In terms of durability, LED lighting is solid-state. There are no glass bulbs or lenses to worry about. LED lighting also runs cool, so there’s no risk of heat damage.

Car Lights
Dan Schultz from Auto Additions in Springfield, Illinois, sent in this photo of a stunning ’34 Ford that they worked on.
Car Lights
TC Holliday from Nu Image Audio in Salina, Kansas, upgraded this Harley-Davidson with bright red LED lighting.
Car Lights
Jim Rogers from Audio innovations in Conway, Arkansas, added green LED lighting to this four-seater side-by-side.

Shopping for Lighting Upgrades

It should come as no surprise that lighting upgrades vary in cost by the complexity of the project. A strip of solid-color lighting under a dash or seat is a lot less work than cutting acrylic with a laser and integrating a housing for a light strip in a custom console. If these amazing photos have motivated you to add lighting to your vehicle, drop by your local specialty mobile enhancement retailer and ask them about your project.

Thanks to Adam Coffman from Tampa Autobody and Audio in Tampa, Florida, for the photo of the custom Slingshot we used as the header image.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: ARTICLES, Lighting, RESOURCE LIBRARY

Four Key Factors to Consider in Motorcycle Audio Upgrades

Motorcycle Audio

More and more companies are offering motorcycle audio system upgrade solutions. Bikes like Harley-Davidson Road Glide and Street Glide can sound so much better with proper speakers and a high-power amplifier. In this article, we’ll cover four things you need to keep in mind when shopping for new tunes for your touring bike.

1. Installation Is Crucial to Performance and Reliability

How the new speakers, amplifier and perhaps a new radio are mounted, wired and configured plays a considerable role in the performance and reliability of your motorcycle audio system. New speakers are often much more substantial than the factory-installed products they replace. The speakers need to be mounted securely with corrosion-resistant fasteners. Of course, the speakers need to fit perfectly and seal tightly against the faring face for optimum performance.

Amplifiers can draw a lot of current from the battery and charging system when the volume is cranked. High-quality, appropriately sized wiring with solid electrical connections is mandatory to get the most efficient delivery.

Motorcycle Audio
Once upgraded, the wiring around your amplifier, speakers and battery should be neat and tidy. Ask to see the work before the bike is put back together.

2. Buy from a Brick-and-Mortar Retailer

If you’re going to have work done to your motorcycle, make sure that it’s by someone who will be available to support the products and services they sell you. Many bike enthusiasts buy audio upgrades at shows and rallies. If you have problems or need adjustments weeks or months after the purchase, you’ll need to find someone else to help and you’ll have to pay them for their time. Dealing with a local shop that specializes in motorcycle audio can save you a lot of headaches. A deal at a show isn’t a deal if you have to invest more money down the road.

3. Choose Premium Products

Face it: Your motorcycle is likely worth a lot of money. Inexpensive speakers and amplifiers aren’t apt to perform well or last as long as products from reputable companies. A motorcycle presents a challenging environment for audio equipment. Vibration is a huge factor, and when poorly designed audio components are used, they often fail in a few months.

Amplifiers need to be designed so that they are efficient and reliable — the fragile components inside need to be secured so that nothing will break. Speakers need to be weather-resistant in case you get caught in the rain. You also want a solution that is designed to handle prolonged UV exposure without drying out, chalking, cracking or fading. Woofer cones that fade or change color after prolonged exposure to the sun may become more brittle and eventually crack and fail. Regular car audio speakers simply aren’t a reliable option.

If you’re upgrading the radio on your bike, be sure to choose something that is weather resistant. You want a bright screen that’s easy to see in direct sunlight. You will also want something that can integrate with the handlebar stereo controls, if your bike has them.

Motorcycle Audio
The Moto602HD speakers from ARC Audio are designed to offer extreme efficiency for those who just have to have the loudest motorcycle stereo on the block.

4. Audio System Upgrades Need Tuning for Accurate Sound

We may have beat this topic to death, but it’s worth stating at least one more time. The factory-installed radios in 2014 and newer Harley-Davidson touring bikes have a slew of signal processing built into them. If you don’t address this tuning when upgrading the bike with a new amp and speakers, the system likely won’t sound right, and you could damage the new components. A reputable mobile enhancement retailer should have the tools to check the output of the radio on a Honda, Yamaha or BMW bike before they dive into an upgrade.

Your best bet is to purchase a digital signal processor (DSP) from the shop installing your equipment. They can use their audio test equipment to smooth the EQ curve in the radio and fine-tune the system to sound the way you want. Having the radio flashed to reduce the equalization settings is another option, but this process could be undone if you take your bike in for service. Likewise, there may be concerns about your warranty when you make alterations to the software.

Motorcycle Audio
Professional installers like the team at Extreme Audio near Richmond, Virginia, have a real-time audio analyzer that can be used to measure the frequency response of the system on your motorcycle. This is a crucial step to ensuring that a DSP is configured properly.

Upgrade the Audio System on Your Motorcycle Today!

If you can’t crank the stereo on your motorcycle to the point that it gives you goosebumps, drop by your local specialty mobile enhancement retailer today and find out about the upgrades that are available. Don’t be afraid to research the suitability and reliability of their suggestions before you make a purchase. In the end, a little planning will keep your investment sounding great and last for years.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: ARTICLES, Motorcycle Audio, RESOURCE LIBRARY

Sound Deadening Technology and Terminology

Deadening Terminology

There’s no denying that sound deadening is one of the easiest ways to enhance the comfort of your vehicle and improve the performance of your car audio system. Many kinds of deadening have been available over the years. Let’s take a close look at some of the most common technologies and explain the terminology used to define the different sound deadening solutions.

What Are Constrained Layer Dampers?

The most popular sound deadening materials fall into the class of constrained layer dampers (CLD). In most designs, CLD deadening materials are made from a sandwich of a dense and flexible base layer that is bonded to a sheet of thin aluminum. The base layer, in most cases, is made of butyl rubber. Butyl is a synthetic rubber with very low stiffness, so it can bend and mold to the contours of the surfaces it is adhered to. The aluminum layer gives the material a structural component, allowing it to span openings in door panels without sagging.

CLD materials add mass to the objects they’re attached to and reduce their ability to vibrate. The concept is similar to how a heavier piano or guitar string resonates at a lower frequency than one that is very thin and light. Imagine how a bass guitar would sound if you wrapped the E string of a guitar in dense rubber? From a technical perspective, the damping material converts the energy from the sound vibrations into heat, though this happens on a microscopic level.

Once damping material has been added to a large, flat surface like a door panel, a rear fender, the trunk lid or the roof of a car or truck, it’s harder for sound energy outside the vehicle to make that panel vibrate. If the panel doesn’t vibrate as much, less sound will be transferred into the vehicle, and the interior will be quieter.

Deadening Terminology
CLD sound deadening comes in all shapes and sizes. Resonix offers squares and rectangles to suit different installation needs.

What Are Noise Decoupling Solutions?

The second popular type of sound control product is decoupling materials. In most cases, these are closed-cell foams with a strong adhesive. When applied between the chassis and trim panels, or anywhere that two surfaces contact each other, the foam will help prevent annoying buzzes and rattles.

It’s important to remember when choosing a decoupling foam to make sure that it’s a closed-cell design. You don’t want it to absorb or trap moisture in any way. Trapped moisture can lead to mold, corrosion and damage to the vehicle.

Deadening Terminology
Companies like SoundShield combine CLD with a foam decoupling layer in a single product. Elevated Audio used this all-in-one sound deadening to improve the comfort of this Honda.

What Are Sound Barriers?

The third and least popular of the sound deadening materials are sound barriers. These products work independently of the vehicle chassis and panels as opposed to being bonded directly to them to reduce noise. Sound barriers typically feature a dense lead or vinyl core that is suspended between two layers of foam. The foam isolates the dense core from the vehicle and allows it to absorb energy in the form of noise. Sound barriers are also good at blocking heat transfer into a vehicle. Many hot rod builders will cover the transmission tunnel where the exhaust runs with a sound barrier to help keep the interior of the vehicle cooler.

Deadening Terminology
Burchett Customs in Knoxville, Tennessee, treated the floor of this C2 to a layer of Dynamat Xtreme CLD and Dynapad sound barrier material.

When we mentioned that sound barriers are the least popular, that isn’t because they don’t work well or offer significant benefits. They are fantastic and can dramatically improve the comfort of your vehicle. Because they’re usually installed on the floor of a vehicle, their installation requires that the carpet be removed from your car or truck. This is a time-consuming process as the seats, center console, trim panels and the lower part of the dash need to be removed. If you’re after the quietest and most luxurious driving experience, it’s a worthwhile investment. If you are having a vehicle interior built from scratch, you may want to consider this as part of the upgrade.

Deadening Terminology
Musicar Northwest in Portland, Oregon, treated this 2017 Tesla Model S to a layer of CLD in the doors to help reduce noise transfer into the vehicle and improve the performance of the Dynaudio speakers they installed.

What To Look for When Shopping for Sound Deadening

There are a few things to take into consideration when you’re shopping for deadening materials. The absolute most important criteria are the adhesion properties of the CLD you choose. There have been hundreds of cases where low-quality products have fallen off of door panels and roofs. In some cases, the deadening has melted completely and turned into a tar-like sludge. The results can be incredibly expensive to repair, and upholstery and carpet can be permanently stained by the sticky, goopy mess. Likewise, deadening that falls into the window mechanism in a door car leads to damage.

One tip: If the CLD has a strong odor, you may want to avoid it. Many damping materials that contain bitumen smell bad and have problems staying in place when they get hot in the summer.

Finally, you want to make sure the material you purchase is fire retardant. The last thing you need is your car going up in flames because a spark or heat from a short circuit sets your sound deadening on fire. Get a small sample of the deadening material and try to ignite it with a lighter. It might smolder for a second then go out. Self-extinguishing is the key here.

Understanding Sound Deadening Terminology Makes Shopping Easier

With a basic understanding of how sound deadening technologies work and a grasp of the common terminologies used in the car audio industry, you can now shop for a solution. Dozens of companies offer sound deadening, which comes in different thicknesses and densities. We’ll leave you to work with your local specialty mobile enhancement retailer to choose a product that works for your application.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: ARTICLES, Car Audio, RESOURCE LIBRARY

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