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Deep Thoughts on Car Audio Power Wire Sizing

Wire Size

In the 1980s, most car stereo shops had charts in the install bays that showed what size power wire should be used with different amplifiers. Some charts were based on current and cable length, while others suggested amplifier power ratings and lengths. In all cases, an essential piece of information was missing. Today, we’ll sort that out. Let’s consider why we need large power wires, what factors affect the current draw, and how to select the wiring that’s the right size for your car’s audio amplifier.

Low-Voltage Electrical Systems

Most cars, trucks, boats and motorcycles operate on a 12-volt electrical system. The battery should rest between 12.2 and 12.6 volts when the vehicle isn’t running. Depending on the application, we might see 13.4 to 14.6 volts when the alternator charges the battery. These voltages might be slightly higher if your vehicle uses an AGM battery.

Wire Size
A high-quality battery like this Odyssey Extreme will help ensure that your amplifier can get the power it needs.

Power is the product of voltage times current. So, if a load like an amplifier or light needs 100 watts from the 12-volt electrical system, it will draw 8.3 amps of current. If we want 1,200 watts, we need 100 amps of current. This is Ohm’s law at its most basic.

Now, if we had the 120 volts we find in our homes and offices, the current draw for 100 watts would only be 830 milliamps. A load of 1,200 watts would only draw 10 amps. The amplifier might have a 240-volt supply if this was a concert or sizeable public-address application. If so, it would only draw 415 milliamps of current at 100 watts and 5 amps at 1,200 watts.

Here’s the problem with large amounts of current flowing in electrical conductors. The formula to calculate power is Current squared times Resistance. If we have a conductor with 10 amps of current flowing and 0.005 ohm of resistance, a voltage drop of 50 millivolts will be present across the wire, and 0.5 watt of energy will be wasted as heat. If that current draw increased to 20 amps, the heat wasted in the wire jumps to 2 watts. At 50 amps, 12.5 watts of energy is wasted in the wire; at 100 amps, there is 50 watts. This is the equivalent resistance to 12 feet of all-copper, full-AWG spec 6 AWG wire. Think about how hot a 50-watt incandescent lightbulb gets after being on for only a few minutes.

Cable resistance is why electric utility companies transmit power across the country at levels like 345,000 volts. You can transmit massive amounts of power this way without incurring significant losses from cable resistance.

Wire Size
Power is transmitted across the country at extremely high voltage to minimize losses caused by cable resistance.

Amplifier Efficiency Is Crucial

The second item to remember is that no electrical or electronic device is 100% efficient. This means you put more power into the device than you get out. Car audio amplifiers vary dramatically in their efficiency. We’ve seen subwoofer amplifiers offering more than 92% efficiency and others less than 58%. The amplifier’s efficiency plays a massive role in determining how much power it will consume.

Let’s say, for example, the above amplifiers are both rated to produce 1,000 watts of power. The 92% efficient amp would draw about 87 amps of current from a 12.5-volt electrical system. The inefficient amp would draw a comparatively mind-boggling 138 amps to produce the same power. Statements about power cable requirements based on amplifier power ratings need to be scrutinized.

Wire Size
High-quality amplifiers like the Rockford Fosgate T500-1bdCP can achieve efficiencies of nearly 90% at full power.

Music and Test Tones

It stands to reason that we want to size the wire in our car audio system for a worst-case scenario. We don’t want to waste energy when we max out the power production capabilities of the amplifiers. However, average power consumption is much lower. We’ve analyzed a good amount of modern music, and the average power level is around 7.5 dB below the peaks. This means that if we average the power requirements of our amplifiers over the length of a song, they produce less than 20% of their maximum power when set so the peaks reach clipping.

Turn the volume down one notch, and the current requirements will likely drop by half. It stands to reason that we could, theoretically, undersize the power wire significantly and not run into much trouble. We’ve seen dozens, if not hundreds, of large amplifiers installed with woefully undersized power wiring. Is this a “best practice”? Most assuredly not. However, it happens frequently, and most of these installations don’t run into issues. Is there a downside? Yes, the amplifier will likely never make its maximum power rating, so you’re limiting the performance of your audio system.

What Determines Acceptable Wire Size?

The answer to the question, “What wire size is right for my amplifier?” requires that we pick an acceptable amount of waste or loss. Specifically, how much voltage drop is acceptable across the length of the power wire? The ANSI/CTA-2031 standard for car audio power wiring suggests we select power wire based on a maximum voltage drop of 0.25 volt. Given that the resistance of all-copper, full AWG-spec wire has precise nominal and maximum resistance requirements, we can create a table that provides the maximum allowable current in varying lengths of commonly available wires.

Wire Size

The chart above outlines the maximum allowable current for a given wire size (on the vertical scale) and length (on the horizontal scale). For example, if we have 16 feet of 4 AWG wire, we want to keep the maximum current draw to 58.3 amps. Putting that number back into our amplifier efficiency means we can run an efficient 670-watt amplifier or a 423-watt low-efficiency amplifier without exceeding 0.25 volt of drop across the wire.

One common mistake is to think of the values in this chart as a target. They are a worst-case scenario. For example, if you need to provide 60 amps of current to an amplifier, then 16 feet of 4 AWG wire seems about right. What about the ground wire? It only needs to be 2 feet. Would we want 2 feet of 14 AWG wire? Most definitely not. The goal is to have as little resistance as possible in the power wire to and from the amplifier. Use the same wire for all power connections.

Wasted Energy in Wiring

Now, this isn’t the end of the discussion. We always want to know what happens at those extreme limits, right? The chart says we can draw 2,412 amps of current through 2 feet of 4/0 (0000) wire. That sounds like fun! Or does it?

We need to calculate how much power is wasted in the wire. Two thousand four hundred amps is a lot of current. Here’s a second chart that outlines how much power is wasted (as heat) per foot of the conductor.

Wire Size

The chart above shows how much heat is generated if we draw the maximum possible current to provide a 0.25-volt drop through conductors of different lengths. So, our 4/0 cable with 2,412 amps flowing through it will produce 301.6 watts of heat per foot. I don’t need to tell you that the jacket on the wire will melt off quickly. Our calculations show that a bare 4/0 wire heats at a rate of 121 degrees Celsius per minute when producing 301.6 watts. Most wiring is rated for only 105 degrees C. I’m sure you see the problem. Even if we’re way off on our calculations, managing or, more accurately, preventing heat in conductors is crucial in making sure that the wiring in a car’s audio system functions reliably.

Big Wire Is Expensive

While the math checks out, using 16 feet of 2/0 cable for a good ~1,200-watt amp is expensive, right? What if we allow for 0.5 volt of drop across our power wire? Yes, the maximum power out of the amplifier will decrease, and the wire will get hotter. However, it won’t hit our wallets quite as hard. Is the trade-off worth it?

Here are the same charts again with 0.5 volt allowed as the drop.

Wire Size

Wire Size

With the higher allowable voltage drop, the maximum current for a given wire size and length increases significantly. Our 4 AWG wire is supposedly acceptable for 116.5 amps of current or a really efficient 1,000-watt amplifier. The 2/0 cable can supposedly handle 186 amps of current. It would be a good choice for a similarly powerful low-efficiency amplifier.

Wire Size Reality Check

While charts and spreadsheet calculations are interesting, the reality is that there are practical thermal limits that can’t be exceeded. How exciting would 4,800 amps of current through a 4/0 conductor be in creating a fireworks show? The answer is fascinating.

The maximum current a conductor can handle continuously has a lot to do with the environment in which it is used. Under the hood of your car or truck, where it’s likely very hot, the hot wire will heat up even more as current flows through it. This has the effect of increasing resistance. More resistance for a given amount of current means even more voltage drop and more heat being generated.

To put constant current demands into perspective, electric arc furnaces like those used to create steel often use 40,000 to 60,000 amps of current. The conductors that pass this current are sized in the thousands of square millimeters. A 0 AWG cable is 53.5 square millimeters. The furnace cables are usually encased in liquid cooling systems to maintain the conductor temperature. Yes, liquid-cooled conductors.

Wire Size
Liquid-cooled Arc furnace conductors manufactured by Furukawa Electric. To put the size into perspective, those are 45-gallon drums in the background.

What Wire Size Does My Car Audio Amplifier Need?

What wire size you need depends on how your audio system will be used, the music you play, and the efficiency of the amplifiers. Rock or heavy metal music is more likely to have dynamic bass information, while rap or EDM is much more likely to have lengthy low-frequency notes. The energy the subwoofer amp requires will differ significantly for these two applications.

If you want to get the most power from your amplifiers, targeting a maximum voltage drop across the longest length of wire of 0.25 volt is a good reference point. If you aren’t as concerned about power as the installation cost, then the 0.5-volt drop chart is an acceptable concession.

Remember that the charts above are based on full AWG-sized, all-copper conductors. If your installer intends to use tinned copper, you might need a one size larger wire. If the wire is undersized or constructed of copper-clad aluminum, it’s anyone’s guess how much current it can handle. Work with a specialty mobile electronics retailer to choose high-performance amplifiers and appropriately sized power wires to ensure that your car stereo sounds great and performs reliably.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: RESOURCE LIBRARY, ARTICLES, Car Audio

Product Spotlight: Alpine i407-WRA-JL

Alpine i407-WRA-JL

If you’ve been paying attention over the last few years, you’ll know that the folks at Alpine have been offering many different audio system upgrade solutions for Jeep Wrangler and Gladiator vehicles. These offerings range from head unit replacement solutions to complete audio systems with amplifiers and subwoofers. In this Product Spotlight, we will look at the i407-WRA-JL radio upgrade kit. Let’s check it out!

What is the Alpine i407-WRA-JL Kit?

The i407-WRA-JL is a radio upgrade kit for 2018 and newer JL chassis Jeep Wranglers and 2020 and newer JT chassis Jeep Gladiators. The kit includes an Alpine iLX-407 source unit along with mounting brackets, a radio trim kit, a new auxiliary input jack, all the wiring harnesses, a camera interface module, and an iDatalink Maestro RR integration module. The concept was to provide retailers with a package with everything needed to upgrade the entertainment system and prevent surprises in the installation bay.

Alpine i407-WRA-JL
The Alpine I407-407-WRA kit includes everything your installer needs to upgrade your Jeep Wrangler or Gladiator.

Jeep Radio Upgrade Kit Features

The included dash kit and brackets take care of ensuring the radio is mounted in place of the stock source unit and looks great. The dash kit is molded to fit the complex shape of the dash for a clean, factory-like appearance.

Alpine i407-WRA-JL
The mounting brackets and radio trim are designed to make the iLX-407 radio look right at home in your Jeep.

In terms of integration, the factory-installed backup camera on these Wranglers and Gladiators uses a communication protocol called Low-Voltage Differential Signaling (LVDS). This signal isn’t directly compatible with aftermarket radios. As such, the i407-WRA-JL kit includes an interface module that converts the LVDS signal into a composite signal so the camera will work with the included iLX-407.

The kit also includes an iDatalink Maestro RR interface. This data interface and harness allows the new radio to plug into the wiring connectors from the original radio and provides access to the Jeep’s data network. Information like vehicle speed, engine RPM and much more can be displayed on the radio. The climate control settings are also adjustable from the face of the new radio.

One item worth noting is that if your Jeep is equipped with the factory amplifier, an optional interface module called the KCX-F200INT is available to let the new radio connect properly.

Alpine i407-WRA-JL
The iDatalink Maestro RR interface allows the Alpine radio to communicate with the computer data network in your vehicle.

Alpine iLX-407 Features

The double-DIN iLX-407 is the radio at the heart of the i407-WRA-JL kit. This radio features a 7-inch anti-glare touch screen with a resolution of 800×480 pixels. The hard controls are along the bottom edge of the front panel. Apple CarPlay and Android Auto are included, as is Bluetooth for hands-free streaming or phone calls. The tuner in the unit offers support for HD Radio, which dramatically improves the quality of FM radio. There’s an HDMI input on the rear of the chassis, so you can theoretically connect a gaming system or a laptop, if you want. There are two camera inputs and support for the SiriusXM SXV300 tuner module.

Alpine i407-WRA-JL
The I407-WRA-JL kit includes an interface that allows the LVDS factory-installed camera to work with the new radio.

If you want the best sound quality from your music, playing digital audio files from a USB drive is the way to go. The iLX-407 supports MP3, WMA, AAC, FLAC, and WAV audio formats with a maximum sampling rate of 48 kHz. The unit will also play AVI, MP4, MPG, MOV and WMV video files with H.264 or MPEG-4 video encoding. The maximum video file size is 4 gigabytes.

Audio Processing Features

The deck includes a four-channel amplifier rated at 16 watts per channel and in compliance with the ANSI/CTA-2006 standards for car audio amplifier power specifications. The triple preamp outputs are rated for up to four volts.

The iLX-407 is impressive in its audio processing features. It has a simple five-band graphic equalizer to let you fine-tune the system to your listening preferences. The more advanced crossovers offer adjustable slopes from six to 24 dB/Octave and filter frequencies from 20 to 200 Hz with high-pass filtering on the front and rear channels and a low-pass filter for the subwoofer output. There’s also a level control for each output, which many source units overlook. Oh, and the subwoofer level control can be adjusted from 0 to 15 with a polarity inversion option to potentially help the subwoofer’s output blend with the woofers in the dash and overhead sound bar.

The Time Correction setting screen allows your installer to dial in delays to each of the six outputs (which include the four built-in amplifier outputs) in 1 millisecond steps or set distances to the speakers in 3.4 centimeter steps. There are three presets available to store different Time Correction configurations. This is ideal if you want one alone in the vehicle or have a passenger, which requires different settings.

Alpine i407-WRA-JL
The equalizer in the iLX-409 includes presets along with user configurable options to let you fine-tune your audio system to your listening preference.

Jeep Radio Upgrade Kits

Alpine offers four Jeep-specific radio upgrade kits, including the i407-WRA-JL and a similar solution for older Wranglers called the i407-WRA-JK, covering 2007 through 2018 applications. If you want something fancier, the I509-WRA-JL and I509-WRA-JK kits include a 9-inch weather-resistant display, more advanced audio processing, and wireless smartphone connectivity.

If your Jeep is lacking in the audio department, visit a local authorized Alpine retailer and ask about the available Jeep-specific solutions. You can find an authorized retailer using the Store Locator tool on the Alpine website. For more information about the audio upgrade solutions available from Alpine, follow them on Facebook, Instagram and YouTube.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: RESOURCE LIBRARY, ARTICLES, Car Audio, PRODUCTS Tagged With: Alpine

Motorcycle Speakers and Big Bass – A Match Not Made in Heaven

Motorcycle Speaker

We were recently talking with the owner of a motorcycle audio manufacturer. He mentioned that consumers seem to struggle with the concept that relatively small motorcycle speakers cannot produce large amounts of bass. In this context, a small speaker is something you’d find in the fairing or saddlebag on a motorcycle. By comparison, a large speaker would be an 8- or 10-inch subwoofer. Let’s look at how speakers work to explain why some are good for bass and others are best for midrange applications.

Speaker Design – Subwoofer or Midrange

This article will discuss 6.5-inch speakers, common in cars, trucks, motorcycles and boats. Let’s examine the predicted output response of two popular 6.5-inch speakers. The yellow trace is a JL Audio 6W3v3 subwoofer and the red is a Cicada Audio CX65.4 motorcycle audio midrange driver. We chose these drivers because their Thiele/Small parameters are readily available.

Motorcycle Speaker
Predicted frequency response of a Cicada Audio CX65.4 in red and a JL Audio 6W3v3 in yellow.

Throughout this article, we’ll unravel a few critical things about this simulation. The response graph you see here isn’t accurate below 100 hertz. Don’t fret; we’ll explain.

Frequency Response Considerations

The first data we want to analyze from the graph is the difference in midrange output. The Cicada Audio speaker (in red) shows good output through most of the audible range. The JL Audio subwoofer starts to roll off its output above 200 hertz.

First, we must clarify a crucial design decision for a speaker that plays a range of frequencies compared with a driver designed exclusively for bass duties. We’ll start with the mass of the woofer cone. The cone must be relatively light for a speaker to respond to signals up to 8 or 10 kHz. A midrange driver might have a moving mass specification of 10 to 15 grams. This would include the cone’s mass, the voice coil former and winding, half of the surround and half of the spider.

The moving mass specification for a subwoofer might be 50 grams. The increased mass adds inertia, making the cone harder to accelerate. The motor (voice coil winding and magnet) won’t be able to move the cone back and forth at high frequencies.

Motorcycle Speaker
The Cicada Audio CX65.4 is a high-efficiency coaxial midrange driver for motorcycles.

Voice Coil Inductance

The second item that affects high-frequency output is voice coil inductance. We’ve explained that an inductor opposes changes in current flow. For alternating current audio signals, high frequencies change direction thousands of times a second.

A speaker must have a large voice coil to handle large amounts of power. A large voice coil has more inductance and attenuates high-frequency information. The Cicada Audio midrange shown here has a voice coil inductance of 0.03 millihenry. The JL Audio 6W3v3 subwoofer has a voice coil inductance of 1.388 mH. This is logical, given that the winding is at least twice as long and likely has multiple layers.

We Need to Move Air

To reproduce low-frequency information, we need to move a significant amount of air. This means that a speaker needs a considerable amount of cone excursion capability. The Cicada driver, designed primarily for midrange duties, has a voice coil overhand-derived Xmax specification of 4 millimeters. On the other hand, the JL Audio subwoofer has an Xmax specification of 8.89 millimeters.

Let’s multiply those numbers by the effective cone area specification to see how much air the drivers can move. The Cicada can theoretically move 44.8 cubic centimeters of air, while the JL Audio subwoofer can move 107.48, which is 2.4 times as much.

Motorcycle Speaker
The JL Audio 6W3v3 subwoofer offers impressive excursion and low-frequency output capabilities for a relatively small driver.

Excursion Limits

Here’s where the frequency response chart above runs into an issue. The graph shows the drivers’ output when fed with 100 watts of power. We must also model the cone excursion behavior to understand a speaker’s suitability for a specific situation.

Motorcycle Speaker
Cone excursion versus frequency for our 6.5-inch speakers. Cicada Audio is in red, and JL Audio is in yellow.

The yellow trace shows us that the subwoofer cone doesn’t move as much for a given amount of power. This correlates back to its mass. However, the 8.89-millimeter Xmax specification tells us the driver will work fine down to just above 30 hertz at this power level. Below that frequency, there will be physical power handling problems.

The Cicada Audio driver is much more efficient. Much of this efficiency comes from the lower moving mass. This is achieved with a much lighter cone and shorter voice coil. Being limited to 4 millimeters of excursion shows that the driver cannot safely play audio frequencies below 100 Hz at a power level of 100 watts.

A drawback for use in another application often offsets every decision in designing a speaker for a specific application. A tweeter won’t produce bass, and a subwoofer won’t produce high frequencies. Midrange drivers might not make much bass or high-frequency information.

No Transfer Function

Now, specific to a discussion about motorcycle audio and powersports speakers, we’re at a considerable disadvantage compared with a car or truck because we don’t have an enclosed vehicle that offers some gain. The interior of a car or truck provides a significant bass boost. In fact, 20 to 30 dB of boost at frequencies below 30 hertz isn’t uncommon. There’s usually 10 dB of boost at 50 Hz. We call this effect cabin gain.

Even a moderately capable small speaker can reproduce a reasonable amount of low-frequency energy in a vehicle. The same happens in our homes. A single good-quality 12-inch subwoofer with 500 or 600 watts of power in a home theater system can give your couch or chair a good shake. It takes dozens of 15- or 18-inch subwoofers and thousands of watts of power at an outdoor concert to reproduce those frequencies at the same volume level.

Motorcycle Speaker
The cabin of a vehicle or room boosts bass frequencies to make them easier to hear. The approximate gain is based on JBL/Harman data.

We lack this gain when creating an audio system for a boat, motorcycle or side-by-side. This means our small speakers are on their own to produce usable amounts of bass information. If we want to reproduce bass, we need speakers that can move a significant amount of air. We also likely want to hear vocals and instruments.

Our little circle of performance, however, makes this almost impossible. We need a driver with a large motor and cone assembly to move a lot of air. A large motor assembly is heavy. Heavy cones can’t respond to high-frequency information.

What’s the Solution if We Want Bass?

The answer to getting bass on your motorcycle, boat or side-by-side is to add a subwoofer. It’s not going to rumble like the same-size driver in a car, but it will fill in a lot of the information below 150 hertz. Crucially, having a subwoofer means the small speakers don’t need to try to reproduce bass information. They can focus on midrange frequencies, which means they’ll need a lot less power and will sound much better.

Motorcycle Speaker
If you have a Harley-Davidson motorcycle and want great bass, Rockford Fosgate’s HD14-SBSUB subwoofer system is a great solution.

Is One of These Speakers Better Than the Other?

Before anyone thinks that the Cicada Audio or JL Audio speaker is better than the other, we’ll make it perfectly clear that each is designed for a different application. Which is better, a snowmobile or a top-fuel dragster? One is likely better than the other if you are in Alaska. It depends on what you’re trying to do.

The reality is that each speaker is designed for a specific application. JL Audio has many high-performance midrange speakers to accompany its subwoofers. Likewise, Cicada Audio has several woofers designed for motorcycle applications. Choosing the right speaker for your needs is the key to creating a mobile audio system that sounds great. Drop by a local specialty mobile enhancement retailer today and ask them for suggestions about speakers for upgrading your vehicle. Let them know your performance goals, and they’ll design a solution that will sound great!

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: RESOURCE LIBRARY, ARTICLES, Motorcycle Audio

A Look at the Importance of Tweeter Installation Hardware

Tweeter Installation

High-quality speakers and proper installation are crucial when upgrading your car’s audio system. The ease with which your installer can reliably integrate tweeters into your vehicle will determine a portion of the labor cost. Will the technician need to fabricate a mounting bracket? Will they need to create a little pod? Is there even enough hardware provided to ensure a reliable and safe installation? Let’s look at some tweeter installation hardware solutions.

Why Are Tweeters Important for Great Sound Quality?

Before discussing tweeter installation, we should review the importance of having dedicated tweeters in a car audio system. By definition, tweeters are relatively small speakers designed to play the highest audible frequencies. They vary from 0.5 to over 1.25 inches in size. The larger tweeters can typically play lower frequencies, making them ideal for two-way front speaker systems. However, a large diaphragm might have some resonance at extremely high frequencies.

Tweeters are made from a variety of materials. Textile domes like silk, metal domes like aluminum, titanium and beryllium and plastic materials like polyetherimide are among the most popular. While the metal versus textile performance discussions will go on forever, what’s more important is that the tweeter diaphragm doesn’t have resonance issues. Most companies add a damping material to the diaphragm to prevent this. The damping applies to both textile and metal designs.

Most tweeters in the car audio market use a dome-shaped diaphragm. However, some use a ring-radiator design, like the tweeters in the Rockford Fosgate T4652-S set. The concept of the ring tweeter is to eliminate the chance of resonance in the center of the dome. While it’s unwise to make blanket statements about one design over others, we were very impressed with the clarity of the T4 ring radiator tweeter.

Tweeter Installation
The Rockford Fosgate T4652-S tweeter uses a ring-radiator design, which eliminates resonance in the dome’s center.

Flush-Mount Tweeter Installation Options

There are four common options for tweeter installation. First, we have flush-mounting. In this type of installation, the tweeter and a grill are mounted in a panel, and the result is basically flush. This means the tweeter may only protrude a few millimeters or 0.25 inch. This type of installation requires that the panel be modified to accept the tweeter, which means a hole between 1 and 1.5 inches must be created.

The most basic reliable tweeter mounting method uses a U-shaped spring-steel bracket that bolts to the back of the tweeter assembly. The bracket must be spring steel to retain tension and hold the tweeter securely.

Tweeter Installation
The Hertz ML 280.3 Legend uses a high-quality spring-steel bracket to secure the 1.38-inch high-frequency driver to the installation panel.
Tweeter Installation
A Hertz ML 280.3 is installed in an A-pillar. Image: Dan Wilson, Columbus Car Audio.

Some companies have created more complex installation solutions for flush-mount applications. For example, KICKER’s QS-Series speakers include a nut that threads onto the back of the tweeter to keep it pressed tightly against the mounting surface. The legs of the nut can be trimmed to work with mounting surfaces of different thicknesses.

Tweeter Installation
KICKER includes a surface-mount trim ring and adjustable depth locking nut to secure their tweeters.
Tweeter Installation
The KICKER Chevrolet Cruze features QS-Series components mounted in custom pods in the doors.

Rockford Fosgate’s Dual Discrete Clamp mounting solution is one of the most elaborate mounting options we’ve seen. The DDC comprises two cast aluminum brackets sandwiched on either side of a mounting surface to hold the tweeter in place. Once the two clamps are secure, the tweeter locks into place, and a trim piece finishes the installation.

Tweeter Installation
The Dual Discrete Clamp hardware, included with many Rockford Fosgate tweeters, ensures a rock-solid installation.
Tweeter Installation
This Mitsubishi Eclipse features three Punch Series 6.5-inch component sets in the front to support 16 subwoofers.

Surface Mounting Options

The second type of installation is to mount the tweeters on the surface of a dash or door panel. This is less invasive as there doesn’t need to be a huge hole cut. That said, holes for wiring or hardware might be required depending on the location. Many tweeters include surface-mounting solutions that position the tweeter parallel to the mounting or at an angle. Angled mounting solutions are helpful when mounting a tweeter off-axis to the listening position. Ideally, a tweeter should be within 15 to 20 degrees of being on-axis with the listener. Alternatively, the tweeter can point at the windshield, dispersing high-frequency information into the listening area.

Tweeter Installation
The 1-inch Sony Mobile ES tweeter in the XS-162ES and XS-163ES sets includes flat and angled surface-mounting hardware.

Tweeter Pods

Another option for installing tweeters is to use pods included with the system. These pods are typically bullet-shaped and mount through a single hole. The design should have a way to conceal the wiring for a neat appearance. You will want to ensure that the pods can be directed at the listening position for maximum performance.

Tweeter Installation
KICKER’s KST200 and KST250 tweeters and several component sets include pods to simplify tweeter installation.

Original Equipment Locations

Most modern vehicles have tweeters integrated into the factory audio system. These are often behind small grilles in the A-pillars, the dash, the doors near the release handle, or the sail panels in the front corner. Often, the factory tweeters are quite small in diameter and overall size. As such, it can be tricky to replace them with aftermarket tweeters. Some companies offer tweeter designs specifically engineered to work in original equipment locations, eschewing grilles and other hardware.

The key to a successful installation in these locations is reliability. We’ll be very clear in stating that mounting with hot glue or butyl rubber is unsatisfactory. These materials can quickly melt when the vehicle interior gets hot in the summer, causing the tweeters to fall out of place. If there aren’t options for mechanical fastening solutions, an epoxy adhesive like 3M Scotch-Weld DP8005 designed to work with plastics is an acceptable alternative.

Tweeter Installation
A Rockford Fosgate tweeter mounted in the original sail-panel locations of this BMW X1 XDrive28i CUV.
Tweeter Installation
Musicar Northwest designed and 3D-printed custom mounting brackets for a set of Morel tweeters and midrange drivers for a Lucid Air audio system upgrade.

Custom Installations

Of course, a custom installation solution for your tweeters is always an option. You may want them to blend into the A-pillar, dash or door. You may want a technician to create a custom pod that puts the tweeters in a specific location or points them in a particular direction. You may wish for the installation to look unique. So long as the guidelines about tweeter directivity are heeded, you can have the technician construct almost anything.

Tweeter Installation
An Audison Thesis-Series tweeter mounted in a low-profile custom A-pillar mount. Image: Dan Wilson
Tweeter Installation
A Rockford Fosgate T-4652-S tweeter installed in the door of a Chevrolet Corvette.
Tweeter Installation
Custom pods with an OE look for a set of Morel tweeters in a Ford Raptor by Musicar Northwest.
Tweeter Installation
A set of custom pods for Sony Mobile ES tweeters by Soundbytez Car Audio.

The Importance of Proper Tweeter Installation

While a tweeter doesn’t seem like a large item, in the unfortunate event of an accident, the last thing you want is to get hit by a tweeter that’s come out of place. Yes, this is a bit extreme. However, true professionals put significant effort into ensuring that their upgrades to our cars and trucks are safe and reliable. Do you want a tweeter to fall into the door or an A-pillar because it was held in place with hot glue? Certainly not. When shopping for car audio speaker upgrades, drop by a local specialty mobile electronics retailer and ask them which component speaker systems they offer. Be sure to inquire about how they integrate the tweeters into client vehicles.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: RESOURCE LIBRARY, ARTICLES, Car Audio

Product Spotlight: Compustar Pro 2WG18 LTE

Compustar Pro 2WG18 LTE

At their heart, most remote car starters are the same. When you press a button on a wireless remote, a remote start controller integrated into the vehicle will start the engine. In reality, the features of the remote and the controller play a significant role in determining the usability and features of the starter system. We will look at the Compustar Pro 2WG18 LTE remote key in this Product Spotlight. Let’s check it out!

What is the Compustar Pro 2WG18 LTE Remote Car Starter?

Compustar offers its dealers several different remote kits and controller modules so that they can piece together a remote car starter solution that offers the features you want at a number of price points. The 2WG18 kit is an affordable two-way remote kit, making it a popular solution.

Two remotes offer bidirectional communication with the remote start controller. Unlike one-way remotes, a two-way unit will notify you when the doors lock or unlock or when the remote start process has begun. The 2WG18 remotes have three LEDs across the top. They also have a built-in beeper to provide audible confirmation that the command has been executed.

Compustar Pro 2WG18 LTE
The compact Pro 2WG18 remotes LEDs and integrated beeper let you know that commands from the remote have been executed.

The 2WG18 remotes have three buttons, one for lock, one for unlock and one for remote start. If you have a vehicle with a power trunk or tailgate release, the 2WG18 remotes will control up to two auxiliary outputs. Pressing the start button and the lock button twice activates auxiliary output one. Tapping the start button and then the unlock button twice will activate auxiliary output two. If you have a minivan with a power sliding door, this second output can be used to open it remotely.

Other features accessible by holding multiple buttons simultaneously include Turbo Timer activation, horn or siren chirp confirmation toggling, ignition-controlled door locks and more.

Under ideal conditions, the remotes offer up to 3000 feet of range. This means you can remote start the vehicle from the check-out at the local grocery store, from the table at your favorite restaurant, or anywhere inside your house.

Compustar Pro Remote Features and Components

The Pro 2WG17 LTE kit comes with a pair of remotes. There’s the main two-way three-button remote, and a secondary one-way companion remote. They look the same, but the second remote doesn’t have the two-way communication.

The kit also includes the antenna to connect to the controller and an FT-TEMP temperature sensor. This sensor lets the controller know the temperature inside the vehicle. Your installer can program the remote starter to activate optional outputs for the rear window defroster, heated seats or heated steering wheel if it’s below freezing when you start the vehicle.

All Compustar remotes are weather-resistant. Should you drop your keys in a puddle or a slushy snowbank, they will be OK. Further, because this is a Pro-Series solution, the remotes are backed by a three-year warranty against manufacturing defects.

Compustar Pro 2WG18 LTE
The companion remote included in the Pro 2WG18 kit has the same features, but doesn’t include two-way communication.

DroneMobile Smartphone Control Solution

The kit also includes a DroneMobile X2-LTE smartphone control interface module. This computerized communication device allows you to send commands from the DroneMobile app on your smartphone to the vehicle over the cellular data network. The vehicle will confirm the command has been executed on the app, just like a two-way radio-frequency remote.

The DroneMobile system has additional features like GPS-based locating and tracking that are unlocked with more premium service plans. If your kids borrow your vehicle and you want to know where they are, a quick tap on your smartphone screen shows their location and speed if they are moving. You can configure location-based alerts as well. This is an excellent feature for commercial tracking applications. Geofences are an ideal solution if you want to know when a specific vehicle leaves the office. Your authorized DroneMobile retailer can explain all the options and the cost of the service plans.

Compustar Pro 2WG18 LTE
The Pro 2WG18 kit includes a DroneMoble X2-LTE smartphone interface to provide effectively infinite range and convenience.

The Industry’s Best Remote Car Starter Solutions

If you want an affordable two-way remote starter for the family SUV, a Compustar system with the Pro 2WG18 remotes is a perfect solution. Drop into a local Compustar retailer today to find out what options will make your vehicle more comfortable on a cold winter or hot summer day.

Compustar remote starters are designed to work with most vehicles equipped with a key or push-to-start ignition system. Likewise, they offer industry-leading safety interfaces for vehicles equipped with a manual transmission. Finally, they work with most gasoline, diesel and even hybrid vehicles.

You can find a retailer near you by visiting the Compustar website and using their dealer locator tool.

Follow Compustar on Facebook, Instagram and YouTube to stay up to date with all their new product releases and educational videos.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: ARTICLES, Driver Safety, PRODUCTS, RESOURCE LIBRARY Tagged With: Compustar

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