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Product Spotlight: Audison Prima Subwoofers

Audison Prima SubwoofersThe Prima series of amplifiers and speakers from Audison is highly regarded for its installation flexibility and impressive performance. The most recent additions to the Prima line are three new component subwoofers and five loaded subwoofer enclosures. Like the Prima amps and speakers, the new Audison Prima subwoofers are designed as a perfect upgrade to any factory-installed audio system.

Prima Shallow-Mount Subwoofers

Audison Prima SubwoofersThe new Prima subwoofers include two eight-inch models and a 10-inch. The APS 8 D and APS 10 D feature dual four-ohm voice coils with suspension designs optimized for compact sealed enclosures. The APS 8 R subwoofer has a single four-ohm voice coil and is intended for use in a bass-reflex (vented) enclosure.

All three subwoofers are optimized to provide excellent output. The shape of the woofer cone is angled to clear the spider mounting ledge to increase excursion capabilities. The APS 8 R and APS 8 D are specified as having an Xmax (one-way cone travel limit) of 8.8 mm and the APS 10 D can move 11 mm in each direction.

The APS subs feature a vented pole piece that allows hot air to escape from the inside of the motor structure and peripheral vents underneath the spider mounting plateau to keep the outside cool. This second row of vents allows reliable operation when sub is mounted near the back wall of an enclosure.

Audison Prima SubwoofersThe APS 10 D has a mounting depth of 3.46 inches and stands out 1.23 inches from the mounting surface. The driver is optimized to function well in enclosures with a volume as small as 10 liters (0.35 cubic feet). The APS 8 R and APS 8 D subwoofers have a mounting depth of 3.11 inches and extend forward 0.98 inches. The APS 8 D will work in 7.5-liter (0.26 cubic-foot) enclosures while the APS 8 R needs a mere 8.5-liter (0.30 cubic-foot) vented design. The larger vented enclosure will provide roughly 4 dB more output around 50 Hz for a given input signal.

Loaded Subwoofer Enclosures

Audison Prima SubwoofersEach of the new subwoofers is available loaded in a custom-tailored enclosure. The enclosures are constructed from medium-density fiberboard and include internal bracing for excellent rigidity. Rounded corners give the enclosures a bespoke look that blends nicely with modern vehicle interiors.

Your installer can mount the enclosure with the sub facing upward into the listening area for excellent upper bass impact or use the provided mounting feet to fire the sub down into the floor to enhance low-frequency output. Audison calls this design 2 Sides 2 Sounds or 2S2 for short. The optional mounting feet include hook-and-loop fasteners to help keep the enclosure in place.

The terminal cup on the side of each enclosure includes a connector that makes the system instantly compatible with Audison Prima Plug & Play connectors. Of course, high-quality spring-loaded terminals are also included so the enclosures can be used with any amplification solution.

Prima Active Subwoofer Enclosures

Audison Prima SubwoofersAudison has also introduced eight- and 10-inch sealed enclosures with built-in amplifiers. The unique Class D amplifiers feature a design called he·li or High Efficiency-Low Impedance. The drivers used in the powered enclosures have the same mechanical design as their APS 8 D and APS 10 D brethren but use low impedance voice coils. This design allows the amplifiers to work directly with the voltage supplied by the vehicle electrical system and negates the need for, and efficiency losses associated with, a switching power supply. The result is 250 watts for the APBX 8 AS and an impressive 400 watts for the APBX 10 AS enclosures.

Audison Prima SubwoofersBoth amplified subwoofer enclosure solutions include electronic variable crossovers, adjustable phase and a bass boost circuit. The amplifiers will accept speaker-level inputs or a preamp signal and include automatic turn-on circuitry for use when connected to a factory-installed audio system. Electrical connections are on a quick-connect plug that allows the enclosure to be removed easily. Both enclosures include an HRC AP remote level control to allow you to adjust the bass level from the front seat.

Enclosure Dimensions:

Model Width Height Depth

APBX 8 R 18.62” 13.15” 5.16”
APBX 8 DS 14.84” 13.15” 5.16”
APBX 8 AS 15.2” 11.73 6.22”
APBX 10 DS 18.58” 13.15” 5.59”
APBX 10 AS 18.11” 13.31” 6.22”

Adding a subwoofer is the best and easiest way to improve the performance of your stereo. Audison’s new Prima subwoofers provide you the option of a drop-in solution or give your installer the opportunity to create something unique for your vehicle. Visit your local authorized Audison retailer to experience the new Prima subwoofers for yourself.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: Car Audio, PRODUCTS, RESOURCE LIBRARY Tagged With: Audison

OEM Sound System Measurements for Audio System Upgrades

OEM Sound System MeasurementsUpgrading a factory audio system is not as easy as it used to be. In the late 1990s and early 2000s, connecting an amplifier and a new set of speakers to a factory source unit would yield impressive, if not amazing, results. As automobile manufacturers put more focus on the performance of factory-installed sound systems, digital signal processing (DSP) became more and more prevalent. Equalization and signal delay built into factory source units and amplifiers allow inexpensive speakers to sound acceptable. This tuning works well for such speakers, but not for a set of premium aftermarket speakers. In the past few years, it has become common practice for reputable mobile electronics retailers to perform a series of oem sound system measurements in a vehicle we haven’t worked on before to ensure we understand how the factory entertainment system functions. The results of the measurements will determine the best path to upgrading the performance of the audio system.

Measure Twice, Cut Once

What do we measure, you ask? We need to quantify three items before a system upgrade can be discussed.

OEM Sound System MeasurementsThe first is frequency response. We need to know if the signal coming from the factory radio or amplifier has been equalized or filtered in any way. Equalization can help improve the performance of inexpensive speakers and compensate for the acoustic characteristics of your vehicle.

The second is voltage. If you have a high-power factory amplifier, then the interface we choose for your system has to be able to handle all of the voltage the amp can produce. Not knowing how much voltage is present in the speaker wires can lead to a system design that distorts at high volumes. This distortion will damage speakers.

OEM Sound System MeasurementsThe last thing our shop will want to analyze is the type of signal present. In most cases, the output of the amplifier is a BTL (Bridge-Tied Load), though some are single-ended. There is no right or wrong type of signal, but the information is required to ensure that they will use the appropriate interface solution or amplifier.

Depending on the vehicle and complexity of the factory sound system, we may have to complete several other tests. Signal routing tests are critical, especially if there is a center channel in the vehicle. Chimes, navigation prompts, parking sensors, up-mixers, active noise cancellation and systems that inject “engine noises” into the audio path have to be taken into account before the system design is complete.

What if We Do Not Measure Your System?

Imagine that you want to improve the sound in your audio system. You go to a car stereo shop and buy an amp and a set of speakers, determined to install them yourself to save some money. Even worse, you want to try to save a few more bucks, so you buy the equipment online and have it shipped to your house. Saturday rolls around, and you tear into your vehicle. You run wires to the battery and try to connect to the factory amp. After an hour or two in forums or Facebook groups, you think you have finally connected to the right wires. When you turn the system on, it sounds dull and lifeless.

What happened?

Many factory amplifiers have dedicated outputs for tweeters and midrange drivers. Connecting to one or the other limits how much information goes to your new speakers. Working with an experienced mobile electronics retailer helps you eliminate situations like these. A retailer that doesn’t already have the information can measure the response of each channel of the factory source unit or amplifier and provide a way to manage work with that information.

OEM Sound System MeasurementsA more-typical result is that the high-frequency output from the new speakers is overwhelming. Many factory audio systems use a woofer in the door and a small midrange in the dash. These tweeterless factory systems require a moderate amount of high-frequency emphasis to sound acceptable. When you add a tweeter that can do a good job of reproducing these frequencies, the boost inherent to the system becomes overwhelming. You may be able to turn down the treble control on the radio, but it’s likely that the adjustment only compensates for the highest of frequencies, leaving you with an annoying frequency response bump around 4 or 5 kHz.

What We Do with the OEM Sound System Measurements

After the measurements are complete, our shop can recommend a solution to help ensure the success of your new system. If you luck out and have a simple factory source unit, you may only need a voltage adapter, commonly called a line output converter, to send an appropriate signal to your amplifier.

If a large amount of equalization is present from the factory amplifier, then an equalizer or digital signal processor may be adequate to compensate for the factory tuning. A calibrated microphone and audio analysis equipment is required to set up the new system. These devices are expensive, and it takes time to learn how to use them correctly to achieve acceptable results.

OEM Sound System Measurements
The AudioControl DM-810 can be used to tame factory signal problems.

If you have a factory amplifier that includes crossovers or time alignment, then your interface options narrow. Several system integration processors on the market can automatically undo equalization and time alignment, then recombine signals from the subwoofer, midbass, midrange and tweeter outputs. There are also integration modules that will replace your factory amplifier and provide connections that will feed a signal directly to your new amplifier. Unfortunately for the Do-It-Yourselfer, these amplifier replacement modules need to be programmed for the year, make, model and trim level of your vehicle. This configuration process is not something that you can do at home.

Inquiring Minds Want to Know

Performing OEM system measurements are like preparing to have a cavity filled. Before your dentist starts grinding or drilling, he or she will take a series of X-rays so that they know exactly what they are dealing with. The same philosophy applies to constructing a subwoofer enclosure. You’d never see someone start cutting wood without having measured the car accurately.

When it is time to upgrade your factory audio system, visit your local mobile electronics specialist retailer. Ask if they know how your factory audio system is configured in terms of signal processing. If they don’t know, find out whether they have the equipment to measure the factory audio signals in your vehicle. Once you are comfortable with their level of expertise, you can enjoy the process of designing a fantastic sound system for your vehicle. You will be thrilled with the results!

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: ARTICLES, Car Audio, RESOURCE LIBRARY

Definitions: Speaker Parameters

Speaker ParametersThe adage that someone could write a book about a subject certainly holds true when it comes to a discussion of loudspeakers and their parameters. In fact, there are dozens of great books already available about the subject. This article provides an overview of some of the most commonly discussed speaker parameters.

What are Speaker Parameters?

Speaker parameters, often called Thiele/Small parameters, are a set of electromechanical measurements that can be used to define the low-frequency performance of a transducer. Using these parameters and a series of calculations, your installer can predict the performance of that speaker in an enclosure.

What Can We Determine from these Parameters?

Speaker Parameters
T/S Parameters can be used to determine if speakers will work well in small enclosures.

Perhaps the most important set of calculations we can create is the output of the system. When we discuss the “system,” we are referring to the speaker itself and the enclosure in which we intend to install the speaker. Every speaker enclosure acts as a high-pass filter and reduces the low-frequency output of the driver. We gain physical power handling in return for this diminished output. Using a set of calculations, we can predict how much low-frequency information the system will produce.

Another important calculation is power handling. As mentioned, we need to control the movement of the speaker cone to prevent distortion and damage. We can predict how much the cone will move for a given amount of power in our test enclosure.

Resonant Frequency of the Speaker – Fs

In terms of analyzing the moving parts of the speaker, we need to know the frequency at which the compliance (springiness) of the spider and the surround combine with the mass of the cone and dust cap to store the most energy. At this frequency, the system alternately stores and subsequently releases the most energy for a given voltage input. If you were to swing a weight on a string suspended from the ceiling, the natural frequency at which it oscillates back and force would be equal to the resonant frequency of a loudspeaker.

Equivalent Compliance Volume – Vas

To understand how stiff the spider and the surround are, we compare them to an amount of air that would exert the same resistance to motion. Because air is easily compressed, a high Vas specification would represent a very softly suspended cone. Conversely, a speaker with a low Vas would have a very stiff suspension.

Electrical Q of the Driver at Fs – Qes

Speaker ParametersUnderstanding the Q (Quality Factor) can be somewhat difficult because it is a dimension-less value. In essence, the Q factor describes the damping characteristic of a resonant system. A higher Q represents less energy loss relative to the total energy stored in a system. A pendulum suspended from a low-friction bearing will have a high Q. That same pendulum, submerged in water, will have a much lower Q. An important consideration is that high-Q systems have less damping and, therefore, vibrate longer. The Electrical Q specification describes how much damping the voice coil and magnet assembly invoke on the moving cone.

As the voice coil moves past the magnet, it produces an electrical current. This current reaches its peak value at the resonant frequency of the driver and counteracts the current being provided by the amplifier. The net result is a significant rise in impedance at the resonant frequency.

Mechanical Q of the Driver at Fs – Qms

Just as the electrical characteristics of a speaker cause an opposition to cone motion, we have a similar effect from the mechanical properties of the speaker. Qms describes the mechanical losses resulting from the spider and the surround. A high Qms value describes lower mechanical losses, while a low Qms value describes higher losses.

Total System Q at Fs – Qts

This unit-less measurement is a mathematical combination of the mechanical and electrical characteristics of the speaker. In simple terms, we calculate Qts by dividing the total stored energy of the speaker by the dissipated energy in the speaker at resonance.

Compliance of the Driver Suspension – Cms

The Cms specification describes the stiffness of the driver suspension in meters per newton. A stiffer suspension will move less distance for a given amount of force applied to it.

Effective Cone Area of the Driver – Sd

Speaker ParametersThis parameter describes the effective “size” of our speaker. We all realize that the cone will move air for us, but we also have to take into account the addition of the surround. It is commonly accepted that we can use a value of half the surround as contributing to the output of the driver.

Mass of the Cone and Moving Parts – Mms

The Mms specification describes the mass of the speaker cone and part of the spider and surround. Unlike the Mmd specification, Mms includes the acoustic load caused by the air in contact with the cone. In most cases, the values are similar, but as the surface area of the cone increases, so too does the value of Mms, relative to Mmd.

Maximum Excursion Level – Xmax

This parameter is frequently misinterpreted as being the defining factor in the distance a speaker cone can move. Early calculations used a formula that subtracted the height of the voice coil winding from the height of the magnetic gap, then divided by 2. This calculation describes how far the speaker can move before the winding comes out of the gap.

Subsequent investigation shows that non-linear behavior elsewhere in the driver design could have a larger influence on the motion limits of the cone. This suggests that Xmax should be the one-way excursion distance that represents a distortion level of 10%. This performance-oriented specification is far more indicative of the useful operating range of a driver, but is much harder to ascertain.

Additional Parameters

Speaker ParametersIn this article, we only describe the basic parameters that are commonly used in predicting the low-frequency performance of a loudspeaker. Other parameters, such as inductance, become more relevant at higher frequencies. Addition parameters such as Nominal Impedance (Znom), efficiency, sensitivity and the Efficiency Bandwidth Product (EBF) are derived through equations that use the specifications above.

Proper Design Requires Simulation

A woofer in an over-sized enclosure may bottom out and be damaged easily. A midrange driver crammed into a small speaker pod may have a significant frequency response spike and an associated distortion peak. The result is quite unfavorable.

Before you assume a subwoofer or speaker is suitable for the enclosure or mounting location you have chosen, it is worth asking your mobile electronics retailer to perform a simulation to ensure everything will function the way you want. They can work with you to ensure everything will perform optimally, and your system will sound great!

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: ARTICLES, Car Audio, RESOURCE LIBRARY

Hot Rod, RestoMod, and Restoration Source Unit Options

Hot Rod, RestoMod, and Restoration Source Unit OptionsThe stereotypical image of a “Woody” station wagon with a surfboard on the roof is missing one critically important element to make it part of the perfect day on the beach: an audio system. In the 1960s, the aftermarket car audio scene was weak. Compared to now, there weren’t any options for source units, speakers or amplifiers, and certainly nobody had a subwoofer. All of that has changed. Today, aftermarket car audio upgrades can transform your daily driver or project car into something stunning. Let’s think back to our mental image of a ’60s Chevy Woody wagon, but update it with modern speakers, amplifiers and – of course – a new source unit. This article discusses some of the source unit options available to people who are restoring a classic car, building a hot rod or doing anything in between.

Modern Convenience and Performance

Source Unit OptionsIf you are building a street rod or are willing to take some liberties with the look of your dash, then cutting an opening for a single-DIN radio or making a console for a double-DIN radio provides you with an excellent opportunity to have all the latest features and technologies right at your fingertips.

Bluetooth hands-free calling is essential to your safety when on the road. Audio streaming will let you play music from your smartphone or a streaming service wirelessly to your radio. Digital media file playback provides you with a way to access your modern MP3 music collections. Finally, navigation systems can help get you where you want to go quickly and safely.

Many modern radios have the ability to change the color of the controls and the display. You can match the color of your radio to a set of incandescent bulbs in the gauges of a ’30s roadster or the blue glow of a set of new digital gauges. Some people set the radio to match the color of the car.

Contemporary Performance and Classic Style

Several manufacturers produce modern radios with traditional twin-shaft mounting systems. These radios include features like USB ports for your digital media collection or your Apple iPod or iPhone. Bluetooth audio streaming and hands-free calling functions are standard on many models, and SiriusXM satellite radio connectivity will let you enjoy genre-specific programming from coast to coast.

These radios feature vintage styling with simple LCD and LED displays where the old analog tuner used to be. Multi-function knobs on either side of the primary display handle controls for volume, tuning and source selection functions. These radios include between 18 and 25 watts of power from the built-in amplifier and have pre-amp outputs for adding external amplifiers.

Connectivity with the latest devices may not be as up to date as with a modern aftermarket radio, but these vintage radios can conceal themselves well in your dash.

The Hidden Radio Solution

Source Unit OptionsIf you are working hard to keep the interior of your vehicle looking original, then your best bet is not to show off a new radio at all. Some people will mount an aftermarket radio in the glove box or under the front seat. These radios are still accessible while you’re driving, but not as easily.

For several years, the hot ticket was to install a marine radio in the trunk or a storage compartment. The driver would have access to a wired remote control to change the volume or source. These marine remotes often include small displays to let you know what station or track you are enjoying.

Modern marine source unit remote solutions include IR and RF remotes, as well as iPod or iPhone remotes that use WiFi for communication. You can use your radio quite easily without being able to see it at all.

Custom Remote Control Solutions

One “trick” that people often forget about is to use an OEM steering wheel audio control interface with a set of custom switches to control the radio. Your installer can program a set of switches with unique resistor values to perform almost any function you want. A spare four-way power window rocker switch makes a great volume and track selection control. You could use power window and power lock switches on a door to perform similar functions. The options for custom remote controls are nearly endless.

“Radio? We Don’t Need No Stinkin’ Radio!”

Source Unit OptionsThe modern smartphone has started to replace radios altogether in some projects. Being able to stream radio stations over the Internet or use services like Pandora or iHeartRadio makes your cellphone and its wireless Bluetooth connection the only source you may need.

In the most basic of applications, your installer can connect a stand-alone Bluetooth receiver to a small amplifier and new speakers. The volume control on your smartphone will serve as the master volume control for the sound system. The system will power up as soon you connect to the Bluetooth module and start streaming audio.

If you are after a better-sounding system, then you may want to look at a signal processor with an optional Bluetooth streaming module. Several digital signal processors (DSPs) on the market can stream high-quality audio directly without the need for a source unit. The audio processing functions of the DSP will allow your installer to maximize the performance of each speaker in your system and create an amazing sonic experience.

Shop Local for Your Source Unit Options

Before you get too deep into your restoration or project build, contact your local mobile enhancement retailer today to discuss suitable source unit options for your vehicle. They will be able to explain the benefits of each system and provide you with all the information the restoration shop you are working with will need to bring the concept to fruition. No matter what source unit option you choose, having great speakers and amplifiers in your classic car or hot rod will make going for a cruise much more enjoyable.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: ARTICLES, Car Audio, Classic Car Audio, RESOURCE LIBRARY

Product Spotlight: Sony XS-GS1631C

Sony XS-GS1631CSony introduced their new XS-GS1631C 3-way component speaker system at the 2018 Consumer Electronics Show in Las Vegas. The system includes a pair of 6.5-inch woofers, a set of 3.5-inch midrange drivers, a pair of 1-inch soft-dome tweeters and a set of passive crossover networks. This system is designed as a premium upgrade for vehicles with door and dash speaker locations. The system offers a 3-year warranty for long-term peace of mind. Let’s take a close look at what Sony has come up with.

Benefits of the Sony XS-GS1631C

A trait common to all speakers is directivity. Based on the cone diameter alone, the sound coming from a speaker becomes more directional as frequencies increase. One of the key benefits of a 3-way front speaker set is that each driver is operated below the frequencies where they become directional. As a result, the speakers provide evenly distributed sound throughout the vehicle. When the midrange and tweeters are mounted high in the doors or dash, the soundstage will typically be higher compared to a conventional 2-way speaker configuration.

6.5-inch Woofer Features

Sony XS-GS1631CThe woofers from the set are based on a stamped steel basket. Mounting holes and tabs are provided for 6.5 and 6.75-inch bolt circles. The cones of the woofers are made from Sony’s proprietary MRC (Mica Reinforced Cellular) polypropylene. In this application they are reinforced with aramid fibers. The result is a low-mass design with rigidity more than ten times higher than competitor polypropylene cones, but just a fraction of the mass. Rubber surrounds and poly dust caps round out the moving component features. Sony includes trim rings and a set of grilles with the woofers.

3.5-inch Midrange Design

Sony XS-GS1631CThe midrange drivers in the XS-GS1631C set also feature stamped steel baskets. Two mounting tabs are provided and serve as a direct fit for Toyota, Chrysler, Dodge, Ram as well as many GM and Ford vehicles without the need for modification. In some cases, the midrange drivers use the factory mounting bolts. Each midrange speaker uses a compact neodymium magnet that helps keep the overall mounting depth to a diminutive 1-7/16 inches.

The cones of the midrange drivers use the same aramid fiber reinforced MRC poly cone material as the woofers. They also feature a rubber surround. Rubber surrounds last longer than foam. They help to ensure these speakers will continue to sound great for years.

1-inch Tweeter Technologies

Sony XS-GS1631CThe tweeters in the set include provisions for flush, surface and angled installations. Unlike the midrange, the tweeter design includes a grille that is optimized for installations where the unit will be visible. The tweeter has a 1-inch synthetic fiber design for smooth and detailed sound.Sony XS-GS1631C

Passive Crossover Networks

As mentioned, the set includes a pair of passive crossover networks. The networks filter the speakers at 500 and 5000 Hz. A switch inside the crossover allows the installer to set the tweeter level at -2, 0 or +4dB to compensate for different installation configurations and listener preferences. The crossover can be wired in a bi-amplified configuration to provide independent control over the woofer level. Alternatively, you can jumper the inputs and drive the entire speaker set from a single amplifier channel.

Sony uses a combination of air and iron-core inductors, electrolytic capacitors and a premium mylar capacitor for the tweeters. Sony took the time to mount each inductor to the circuit board securely to prevent any reliability issues.

Specifications

Sony rates the speaker set as being capable of handling 120 watts of power using the CTA-2031 standard. Efficiency is specified at 87dB (+/- 2dB) and frequency response at an impressive 30 to 30,000 Hz range.

Sony XM-GS6DSP Compatible

Sony XS-GS1631CFor a truly amazing listening experience, combine the XS-GS1631C with Sony’s new six-channel XM-GS6DSP amplifier. The GS6DSP amp can be used to power the system speaker in a fully-active 3-way configuration or in combination with the passive crossovers and a dedicated subwoofer, to create an amazing four-way system. In either case, the signal delay and equalization capabilities of the GS6DSP will allow your installer to create an impressively accurate soundstage across the dash of your vehicle. A good tech can further tune the system for a smooth and natural frequency response.

Premium Speaker Upgrade Solution

The new XS-GS1631C three-way speaker set is a bold step forward for a Japanese company like Sony. As is evident from their other recent product introductions, Sony is focused on developing cost-effective, high-performance solutions to make car stereo systems that sound great! If you are in the market for speaker upgrade for your vehicle, and it has room for a three-way speaker set, drop by your local Sony dealer and audition the XS-GS1631C system today.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: Car Audio, PRODUCTS, RESOURCE LIBRARY Tagged With: Sony

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