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Maximizing Car Audio Quality: Understanding Vehicle Acoustics

Vehicle Acoustics

Car audio enthusiasts often invest in high-quality speakers, amplifiers, and subwoofers to achieve the best sound. However, the vehicle’s interior acoustics play a crucial role in how the system performs. Factors such as interior materials, seating positions, and speaker placement can dramatically impact sound quality. Understanding these elements and employing professional tuning can help optimize your car audio experience.

The Impact of Interior Materials on Sound Quality

Your car’s interior materials significantly influence how sound waves travel and interact within the cabin. Unlike a dedicated home theater with carefully designed acoustics, vehicle interiors are filled with reflective, absorbent, and diffusive surfaces that can either enhance or degrade sound quality.

  • Soft vs. Hard Surfaces: Softer materials such as carpet and headliners absorb sound, reducing echoes and excessive reverb. On the other hand, hard surfaces like glass, plastic panels, and leather seats reflect sound, which can lead to unwanted resonance and distortion. In the middle, we have seats with cloth-covered closed-cell foam cores. While these aren’t as reflective as plastic or glass, they still reflect more sound than they absorb.
  • Road and Engine Noise: The interior’s acoustic properties also determine how much external noise interferes with the listening experience. Vehicles with better insulation and sound-deadening materials, such as those found in luxury models, tend to have a quieter cabin, allowing audio details to remain crisp and clear.
  • Door Panels and Dashboards: These surfaces typically reflect sound waves, affecting midrange and high frequencies. Many car audio enthusiasts will add a carpeted dash pad to help minimize reflections. Short of reupholstering the door panels, no simple upgrades can improve their absorptive versus reflective properties.

How Seating Positions Influence Sound Perception

Vehicle Acoustics
Speaker distances vary by seating position, creating acoustic challenges for perfect car audio tuning.

Unlike in a home audio setup where the listener is positioned optimally for a balanced soundstage, car interiors present unique challenges due to varied seating positions.

Unless you drive a McLaren F1 or Gordon Murray T.50, the driver is rarely centered between the left and right speakers, creating an imbalance in perceived sound. This issue often results in one side sounding louder than the other. Further, the sound from the nearby speakers arrives at the listening position before that from the speakers farther away. These imbalances skew the distribution of sounds across the vehicle toward the speakers closest to the listener.

The perfect audio system would create a virtual center image where vocals and primary instruments appear from the dashboard rather than individual speakers. Each sound on this soundstage would be well focused. Imagine an acoustic performance on a stage in front of you. Each instrument would be easy to pick out in the performance.

Audio systems that use a digital signal processor with upmixing capabilities can accurately recreate this experience in a car or truck.

The Role of Speaker Placement in Audio Performance

Vehicle Acoustics
Proper speaker placement is crucial for balanced sound. Mounting tweeters and mids on the A-pillar helps with imaging, but careful tuning is needed to overcome reflections and timing differences.

Speaker placement is one of the most influential factors in car audio quality. Unlike home systems where speakers can be strategically positioned, car audio components typically must fit into predetermined locations, requiring careful consideration to optimize sound.

Factory-installed speakers are often placed in doors, dashboards, or rear decks, which may not be ideal for accurate sound reproduction. Every location has benefits and drawbacks. Balancing these, combined with proper system design, configuration and calibration, is key to creating a great-sounding car audio system.

  • Tweeter Positioning: Tweeters handle high frequencies, which are highly directional. Correctly angled tweeters are paramount to audio systems where balanced high-frequency performance is key. The angle of the left and right tweeters should be similar in both the driver and passenger positions to ensure equal high-frequency sound distribution.
  • Midrange Speaker Positioning: Midrange speakers are key to determining the source of the listening experience. While there are benefits to having midrange speakers installed in the door, this results in a soundstage that spans the middle of the vehicle rather than being out of the dash. On the other hand, having speakers in the dash can result in reflections and wavelength-based cancellations called comb filtering. The music may seem to come from way out in front of you, but it will be much harder for the technician to calibrate your audio system to make it sound natural.
  • Midbass Speaker Positioning: Midbass speakers typically play 80 to 300 hertz in a high-end car audio system. Male vocals extend down to 100 hertz. As such, midbass speakers must also be positioned forward in the vehicle. More importantly, the speakers must be installed in a location with adequate airspace for the drivers to function correctly. Small pods don’t work. These undersized enclosures result in the sound will be riddled with unwanted distortion and poor frequency response.
  • Subwoofer Location: Subwoofer placement affects low-frequency sound waves less, but their interaction with the cabin can create peaks and nulls in bass response. Proper tuning helps achieve smooth, deep bass without overpowering other frequencies.

How Professional Tuning Compensates for Acoustic Challenges

Vehicle Acoustics
Along with professional tuning, the Audison Forza AF M8.14 bit overcomes acoustic challenges with advanced DSP, ensuring optimal sound staging and clarity in any vehicle.

Achieving balanced and immersive sound requires professional tuning, even with the best speakers and placement. Digital signal processor adjustments are essential for overcoming vehicle acoustic limitations.

  • Signal Delays: Applying delays to those speakers closest to the listening position can compensate for less-than-ideal speaker positioning. These delays ensure that sound from all speakers reaches the listener simultaneously. This adjustment creates a more natural and immersive experience.
  • Equalizer Adjustments: Adjusting the frequency response of each speaker in the vehicle compensates for imbalances caused by reflections and material absorption. By adjusting specific frequency ranges, technicians can enhance clarity and eliminate boomy or harsh tones. The goal is to provide smooth octave-to-octave tonal balance so voices and instruments sound realistic.
  • Crossover Settings: Crossovers dictate which frequencies each speaker handles. Properly setting crossovers ensures that subwoofers, midrange drivers, and tweeters work harmoniously without overlap or gaps in frequency response.

Maximizing Your Car Audio Experience

Understanding vehicle acoustics and investing in professional tuning can elevate your car audio system from good to exceptional. For the best results, visit a qualified retailer near you to explore professional tuning and acoustic treatments tailored to your vehicle’s unique characteristics.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: ARTICLES, Car Audio, RESOURCE LIBRARY

Product Spotlight: Audison APBX 10 AS2

Audison APBX 10 AS2

One of the best upgrades you can make to your car audio system is to add a high-quality subwoofer. Whether you are working with a simple factory-installed radio and speaker system or planning a studio-quality listening environment, accurately reproducing bass frequencies is important. The folks at Audison have a full line of compact subwoofer enclosures that can transform your system from good to awesome. In this spotlight, we will look at the Audison APBX 10 AS2.

Features of the Audison APBX 10 AS2

The APBX 10 AS2 is a low-profile 10-inch active subwoofer enclosure. The term “active” means this unit has an integrated amplifier. Essentially, with some wiring to feed it power and a signal from the radio, this is all you need to add bass to your car, truck, or SUV.

The enclosure measures 17.3 inches long, 13.2 inches wide, and stands a mere 6.2 inches tall. The amplifier is mounted on one of the thin side panels, and the subwoofer is designed to fire down into the floor or back wall of your car or truck. Feet are included to raise the enclosure off the floor so the subwoofer doesn’t hit anything. The enclosure has rounded corners for a little extra style.

The amplifier included with the APBX 10 AS2 is rated to provide up to 400 watts of power. Audison uses a 0.16-ohm low-impedance driver in the enclosure, so the amp doesn’t need a switching power supply. This design is said to boost system efficiency.

Audison APBX 10 AS2
The Audison APBX 10 AS2 looks neat and tidy once installed.

Amplifier and Integration Features

The amplifier can accept speaker-level or preamp signals to ensure integration with factory-installed and aftermarket source units is simple and reliable. In high-level mode, the amp will accept up to 8 Vrms on the speaker leads. In low-level mode, the maximum input is 4 Vrms.

The amp has a three-position remote turn-on function switch. The amp can be activated when 12 Volts is applied to the remote terminal. Alternatively, in DC mode, the amp’s circuitry will monitor the speaker wires for the DC offset voltage from a BTL amplifier. Finally, if neither of those options works with your source unit, the amp can detect an electrical audio signal to bring things to life.

In terms of signal processing, the amp has a crossover that can be adjusted from 50 to 300 hertz and features a second-order Butterworth alignment. The internal crossover can be defeated with the Lo-Pass/By-Pass switch if you have a source unit or signal processor with integrated filtering. There is also a bass boost function that lets your installer dial in a bump of up to 6 dB at 45 Hz to add a little extra thump to your music. Finally, there’s a fixed fourth-order (-24 dB/Octave) infrasonic filter set to 24 Hz.

Audison APBX 10 AS2
All connections to the amp can be remoted without tools in the event you need to free up some cargo space.

Audison includes their HRC AP remote level control with the APBX 10 AS2. This remote connects to the amp via the included 3.5mm jack. Your installer can mount the control on the dashboard or in the center console to give you control over the bass level. While the original gain setting should provide a nice balance, sometimes we want a little more or a little less bass, depending on our mood or the choice of music.

The amplifier includes a feature called Dynamic Bass Tracking (DBT). This circuitry monitors the audio input in real time to prevent signals that could cause distortion, keeping your music from sounding bad. This circuit will also prevent damage to the woofer.

Audison APBX 10 AS2
The Dynamic Bass Tracking built into the APBX 10 AS2 helps to prevent high-level transients from adding significant amounts of distortion.

Audison Subwoofer Features

The subwoofer integrated into the enclosure is based on Audison’s APS 10 series of drivers. The subwoofer features a heavy-gauge stamped-steel chassis to which a single ferrite magnet is affixed. Cooling vents in the basket, under the spider mounting plateau, help to keep the voice coil assembly cool. There are also vents in the cone to allow hot air to escape from the motor assembly.

The cone is made of pressed paper with a water-repellent coating to prevent it from absorbing moisture in humid or damp climates. A polypropylene dust cap keeps debris out of the magnetic gap and gives the driver’s face a clean, classy appearance.

Upgrade Your Car Audio System with Audison Today!

If you want to take your car audio system to the next level, drop by an authorized Audison retailer today and ask about the APBX 10 AS2 subwoofer enclosure. Audison offers a similarly designed, but slightly more compact 8-inch solution called the APBS 8 AS2 if space is at a premium.

You can find an authorized retailer using the locator tool on the Audison website. Be sure to follow Audison on Facebook, Instagram, and YouTube to learn about all the amazing audio integration solutions they offer.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: ARTICLES, Car Audio, PRODUCTS, RESOURCE LIBRARY Tagged With: Audison

Busting the Biggest Myths About Car Audio Amplifiers

Audio Amplifier Myths

Car audio amplifiers are one of the most misunderstood components of an upgraded sound system. Misconceptions about power ratings, gain settings, and efficiency can lead to poor system performance, unnecessary equipment damage, or wasted money. This article will clarify some of the most common myths surrounding car audio amplifiers so you can make informed decisions when upgrading your system.

Myth #1: More Watts Always Means a Louder and Better System

Many people assume that an amplifier with a higher wattage rating will automatically make their system louder and produce better sound. While amplifier power plays a role in system performance, it is not the only factor that determines volume and sound quality.

The efficiency of your speakers, the quality of your installation, and the way power is managed all impact the final output. Speakers have a sensitivity rating measured in decibels (dB) per watt. A high-sensitivity speaker can produce more volume with less power than a lower-sensitivity speaker, meaning that simply adding a high-wattage amplifier may not give you the results you expect.

Additionally, increasing power beyond what your speakers are designed to handle can lead to distortion and even permanent damage. Instead of focusing solely on wattage, consider factors such as speaker matching, sound tuning, and proper system setup for optimal performance.

Audio Amplifier Myths
Don’t believe the hype! A gain control is not a volume control.

Myth #2: Turning Up the Gain Makes the System Louder

One of the most common mistakes people make when setting up a car audio system is misunderstanding the gain control. Many believe that turning up the gain increases volume, but that’s not its purpose.

The gain control on an amplifier is designed to match the output signal of the head unit to the input sensitivity of the amplifier. It ensures that the amplifier operates within its optimal range without introducing distortion. If the gain is set too high, the amplifier will amplify the input signal beyond its clean limit, causing clipping and distortion.

The correct way to set the gain is to start with it at the lowest setting, then gradually increase it while monitoring for distortion. A properly set gain will allow the amplifier to reach full power without introducing unwanted noise or damaging your speakers.

Audio Amplifier Myths
Class D amplifiers deliver efficiency without sacrificing sound quality—no need to choose between power and performance!

Myth #3: Class D Amplifiers Sound Worse Than Class AB Amplifiers

There is a long-standing belief that Class D amplifiers produce lower-quality sound compared to Class AB amplifiers. While early Class D designs had limitations, modern technology has significantly improved their performance.

Class D amplifiers are highly efficient, converting most of the electrical energy into audio output rather than heat. This makes them ideal for compact installations, subwoofer applications, and systems where power efficiency is a priority.

While some audiophiles still prefer Class AB for their smoother high-frequency response, the gap in sound quality has narrowed considerably. Many high-end Class D amplifiers now rival their AB counterparts in fidelity, making them a great option for full-range audio systems.

Myth #4: Amplifiers Are Only for Loud Systems

Some car owners assume that amplifiers are only necessary if they want a system that shakes the windows. In reality, an amplifier is essential for achieving clean and dynamic sound, even at moderate volume levels.

Factory-installed head units often include built-in amplifiers, but they are usually low-powered and prone to distortion when pushed to higher volumes. Adding a dedicated amplifier provides better control over the sound, ensuring that music remains clear, even at lower listening levels.

Amplifiers also enhance bass response, improve imaging, and allow for a more balanced overall sound. Whether you want an earth-shaking system or simply better clarity, an amplifier can help achieve your goals.

Audio Amplifier Myths
More powerful amplifiers don’t necessarily drain your car battery

Myth #5: More Power Means More Battery Drain

Many people worry that upgrading to a more powerful amplifier will drain their car’s battery. While high-powered amplifiers do draw more current, they are designed to operate efficiently within a vehicle’s electrical system.

A properly installed amplifier should not cause battery issues under normal use. However, if your system demands excessive power, you may need to upgrade your vehicle’s electrical components, such as the alternator or battery, to support it.

Additionally, using a capacitor can help stabilize voltage fluctuations, preventing dimming lights and protecting your vehicle’s electrical system. A well-designed system will be power-efficient and reliable without negatively affecting your car’s battery life.

Audio Amplifier Myths
Bridging an amplifier increases power, but it doesn’t always double it—know your specs to avoid overheating and strain!

Myth #6: Bridgeable Amplifiers Provide Double the Power

Some people believe that bridging an amplifier automatically doubles its power output. While bridging does increase power, the actual gain depends on the amplifier’s design and impedance load.

When you bridge an amplifier, it combines two channels into a single, more powerful output. However, this often means the amplifier operates at a lower impedance, which can generate more heat and increase strain on the electrical system.

Before bridging an amplifier, it’s crucial to check the manufacturer’s specifications to ensure compatibility with your speakers and electrical system. Improper bridging can lead to overheating, distortion, or even amplifier failure.

Conclusion: Get the Facts Before Choosing an Amplifier

Understanding how car audio amplifiers work is essential for getting the best performance from your system. Don’t fall for common myths—focus on proper installation, gain setting, and speaker matching to achieve a balanced, high-quality sound.

For expert guidance and professional installation, visit a qualified retailer near you. They can help you choose the right amplifier for your needs and ensure it is installed correctly for the best possible performance.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: ARTICLES, Car Audio, RESOURCE LIBRARY

Why Modern Vehicles Make Aftermarket Audio Installations Tricky

Audio Installations

The landscape of car audio upgrades has changed dramatically over the years. As automakers integrate more advanced technology into their vehicles, upgrading the sound system has become increasingly complex. Features like active noise cancellation (ANC), complex DSP-equipped factory amplifiers, and controller area network (CAN) bus systems present unique challenges for aftermarket audio installers. Understanding these complications and how professionals work around them is crucial for ensuring high-quality audio enhancements.

Audio Installations
Who needs headphones? Today’s vehicles have noise cancellation built in!

Active Noise Cancellation and Its Impact on Aftermarket Audio

Many modern vehicles are equipped with active noise cancellation systems (ANC systems) designed to reduce road and engine noise. While beneficial for a quieter cabin, ANC systems interfere with aftermarket audio upgrades.

ANC systems use microphones around the vehicle’s interior to capture unwanted noise. The audio system then generates sound waves that cancel out the noise through the speakers. However, when an aftermarket audio system is installed, the ANC system will misinterpret the new sound output as unwanted noise and attempt to cancel it, causing distortion and unwanted artifacts in the audio.

To work around this issue, professionals may be able to disable the ANC system through the vehicle’s settings or by physically disconnecting the microphones. In some cases, software-based solutions are used to override ANC functions without compromising the vehicle’s overall functionality.

Audio Installations
Audison and Audio Control processors were used to integrate with the factory Ford amplifier. Photo courtesy of Mobile Edge in Lehighton, PA

Factory Amplifiers and Sound Processing Challenges

Another challenge in modern vehicles is the presence of factory-installed amplifiers and digital sound processing (DSP). Automakers integrate these components to optimize the factory audio system for the vehicle’s specific acoustics and the chosen speakers. While this provides a better listening experience for stock audio, it complicates aftermarket upgrades.

Factory amplifiers often use proprietary signal processing, which can include equalization curves, time alignment, crossovers, all-pass filters and upmixers that are tuned for factory speakers. Simply replacing the speakers or adding an aftermarket amplifier without proper integration can result in imbalanced or distorted sound. Yes, you read that correctly. A simple speaker upgrade is likely to degrade the overall system performance.

Professionals use preamp interface modules to extract a clean, full-range audio signal from the factory system to address this. Another option is to use a digital signal processor to compensate for the factory signal processing. These solutions effectively neutralize the factory processing and provide a usable signal for aftermarket components, ensuring the new system performs optimally.

Audio Installations
CANBUS is a vehicle’s internal network for electronic system communication.

Digital Communication Systems and Their Role in Audio Integration

The introduction of CAN bus systems in modern vehicles has revolutionized communication between various electronic components. The CAN bus is a network that allows different modules—such as the engine control unit, climate control, and audio system—to communicate with each other. While this enhances vehicle functionality, it adds immense complexity to aftermarket audio installations.

Many factory audio systems now rely on deeply integrated digital signals rather than traditional analog connections. Protocols like S/PDIF, A2B, MOST and AVB are now common ways source units communicate with amplifiers. These data streaming solutions make it difficult to replace the head unit or integrate an aftermarket audio system without interfering with other vehicle functions.

Professionals use specialized preamp integration modules to bridge the gap between aftermarket components and the factory system. These modules translate digital signals into analog outputs that feed a signal processor, new amplifiers, new speakers and subwoofers.

Audio Installations
Proper installation and calibration in today’s complex vehicles requires specialized tools and software.

Car Audio Professionals Overcome These Challenges

Despite the complexities introduced by modern vehicle technology, professional installers have the expertise and tools necessary to ensure successful aftermarket audio upgrades. Here’s how they tackle these challenges:

  1. Vehicle-Specific Integration Modules—Using high-quality integration interfaces designed for specific makes and models allows seamless connections between aftermarket components and factory systems.
  2. DSP Calibration – Digital signal processors help correct factory processing issues and optimize sound quality.
  3. Proper Signal Extraction – Locating full-range signals from factory audio systems ensures that aftermarket amplifiers and speakers receive the best sound input.
  4. Software-Based Solutions—Some aftermarket solutions allow technicians to modify the vehicle’s software settings to make upgrades possible.

Upgrade Your Modern Car Audio System Today!

Upgrading a car audio system in a modern vehicle requires a deep understanding of factory audio architecture and integration techniques. Features like ANC, factory amplifiers, and digital communication systems introduce challenges, but professional installers can deliver outstanding results with the right tools and expertise. If you’re considering an audio upgrade, working with a knowledgeable expert who can navigate these complexities effectively is essential.

To learn more about the enhancements mentioned in this article, visit a qualified retailer near you.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: ARTICLES, Car Audio, RESOURCE LIBRARY

Are There Drawbacks to Digital Volume Adjustment?

Digital Volume Controls

A few weeks ago, one of the major head unit manufacturers announced they would include a TOSLINK digital output on their new flagship source unit. Most of us know that digital signals are effectively impervious to noise and aren’t affected by cable losses. Pure digital signals sound better than analog counterparts when used with a high-quality digital signal processor.

Potential Drawbacks to Digital Volume Controls

One feature of this new head unit is that the radio’s volume control works on the digital output. This isn’t the first time this feature has existed, as Clarion offered it over a decade ago on the NX706 multimedia receiver.

Pundits claim that volume adjustments in the digital domain are detrimental to the audio signal, especially at low amplitudes. The theory with digital volume adjustment is that low-amplitude signals might be lost when the volume level is low. While we understand their perspective, we figured a practical approach to testing the theory was better than making a blanket statement based on theory alone.

We’ll use Billie Eilish’s You Should See Me in a Crown as the test track for this article. This song has a maximum recording level of 0dB FS, an RMS average level of -12.41 dB FS, and a minimum amplitude of -76.2 dB FS. For those that haven’t read our articles on the decibel scale, dB FS refers to the Full Scale recording level, or more specifically, the highest level that can be recorded without the signal distorting.

Digital Volume Controls
Amplitude Waveform of You Should See Me in a Crown by Billie Eilish.
Digital Volume Controls
Frequency Analysis waveform of You Should See Me in a Crown by Billie Eilish.

As you can see from the amplitude waveform, this is a relatively typical modern track, and the peaks are all quite loud. This represents the majority of contemporary music.

Turn the Volume Down

Let’s say our car audio system is quite powerful and uses high-quality speakers. As such, it can reproduce the track at a volume level of 100 dB SPL. For those unfamiliar with SPL levels, this would be painfully loud and cause hearing damage. Yes, audio systems designed to exaggerate bass frequencies can play MUCH louder, but this would be loud for a regular “street” system.

Let’s turn the volume down to a reasonably quiet level—say 48 dB quieter. This would theoretically produce a maximum SPL of just over 50 dB. That’s much quieter than the background noise in any car or truck on the highway. Still, it serves our purpose of evaluating an extreme example of what might happen to the audio signal in the digital domain. Let’s attenuate the signal by 48 dB.

Digital Volume Controls
Frequency analysis of our test track attenuated by 48 dB (Orange).

If you compare the attenuated signal (adjusted in the digital domain, just like a volume control would), you can see that it looks the same as the original.

The Proof is in the Pudding

While it’s easy to say that the waveform looks the same, it’s better to prove it. How about we boost the signal by 48 dB, then compare it to the original track by subtracting the attenuated-then-boosted version from it?

Digital Volume Controls
The difference between the original track and the track we attenuated then boosted by 48dB (Yellow).

The results are definitive. The difference is noise. Very low-level noise. None of the audio information was lost. Why is that?

The dynamic range in a 24-bit system is incredibly wide. The maximum theoretical noise floor is at -144 dB FS. If we attenuate a track with 73 dB of dynamic range by 48 dB, we only get to -121 dB FS. We still have more than 20 dB of dynamic range remaining.

More For the Naysayers

Now, what if we have a track with significantly more dynamic range? Would the lowest-level signals be lost if we turned the volume down very low? Absolutely! However, other factors would be more detrimental to the signal. Let’s say you have a song with 90 dB of dynamic range, and your audio system is playing the peaks at 100 dB SPL. The quietest parts of the track are at 10 dB.

However, most amplifiers and signal processors have about 80 dB of signal-to-noise ratio. So, that information would have already been buried in noise.

The background noise level of a quiet modern car or truck at idle is well into the 40 to 45 dB SPL range. On the highway, you are into the 70 dB SPL range for a quiet vehicle and nearly 80 for something with a sporty exhaust. You’d never hear that lost information. Even a quiet listening room at home is louder than the audio information that might be lost.

The bottom line is that this isn’t something to worry about.

Preamp and Source units with Digital Outputs

Several preamp interfaces from companies like Axxess, PAC, mObridge, NAV-TV and iDatalink include TOSLINK digital outputs. To our knowledge, nobody has ever complained about those being detrimental to the audio signal.

If you are looking for the cleanest signal available to feed audio into a stand-alone or amplified digital signal processor, visit a local specialty mobile enhancement retailer and ask what they have available in terms of source units or preamp interfaces that include a TOSLINK SPDIF output.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: ARTICLES, Car Audio, RESOURCE LIBRARY

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