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What to Know About 2014 and Newer Harley-Davidson Radio Upgrades

Harley-Davidson Stereo

If you own a 2014 or newer Harley-Davison touring bike, then there are a few things you need to know before you decide to upgrade your stereo system. We know that the Boom! Box radio has a reasonable set of features with navigation, an AM/FM tuner, a USB port for digital audio files, and support for phone calls with a compatible helmet headset. Where the system falls short is in the speakers they have chosen, the power of the amplifier in the radio, and the way the system is tuned. Luckily, many companies offer amazing upgrades. Let’s talk about upgrading the stereo on your Road Glide, Street Glide or Electra Glide.

Harley-Davidson Boom! Box Radio Tuning

For reasons that escape us, Harley has chosen some unique tuning parameters for the equalizer built into the radio on their cruisers. The specific tuning depends on the option level on the bike and varies depending on the number of speakers installed. While the tuning may sort of work with the factory-installed speakers and the limited power from the amplifier, once your local specialty mobile enhancement retailer starts to upgrade things, those equalization settings make your new speakers sound terrible.

Harley-Davidson Stereo
ne of the many EQ curves built into the Harley Boom! Box radio. That giant peak at 80 Hz, combined with the dip at 4 kHz, sounds terrible. Thanks to Extreme Audio in Virginia for this photograph.

If you’re going to upgrade the audio system on your Harley, your installer will need to deal with this tuning.

Add a DSP to Your Harley-Davidson

One of the best options for dealing with the tuning built into your Harley radio is to add a digital signal processor to the audio system. There are two reasons why this is the best choice if you want truly amazing sound on your bike. When used with a calibrated microphone, your installer can tune the audio system to sound great with any high-quality speaker solution. You aren’t left at the mercy of the radio and the response curve of the speakers. Second, the front and rear speakers can be tuned to deliver the same response. Ensuring that each speaker on the bike sounds the same will make your music sound more realistic.

Harley-Davidson Stereo
The ARC Audio PSM is a compact six-input, six-output DSP that was designed for use with motorcycle audio system upgrades. It ships with an EQ curve that compensates for the factory radio tuning.

A second and very important benefit of implementing a DSP on your bike is to enable the person tuning the system to accurately limit the bass information sent to your speakers. Face it; you aren’t going to hear the 40 Hz fundamental of a kick drum on any motorcycle audio system when you’re cruising down the freeway. Since it takes a lot of power to produce bass frequencies, a high-pass filter can go a long way toward making the rest of the system play much louder and last a lot longer.

Motorcycle Radio Reflashing

Another very common solution is to reflash the factory radio to a different, flatter equalization curve. Many shops have invested in hardware from companies like TechnoResearch to perform this task. Harley radio reflashing is a simple process that doesn’t take much time. While the output of the radio isn’t perfectly flat in terms of frequency response, it’s a lot better than leaving things untouched.

Image Caption: Radio Flashing Options.jpg

Harley-Davidson Stereo
Car audio retailers that own reflashing hardware can choose from a variety of configurations.

Which Upgrade is Right for You?

If you want a simple radio upgrade that offers good performance, then having the radio on your Harley reflashed in combination with the installation of new speakers and an amplifier is a great starting point. Just as with a car audio upgrade, proper tuning is crucial to delivering smooth and natural performance. The only way to achieve this is with the use of a multi-band equalizer. Concert venues, night clubs, movie theatres and even something as simple as a smart speaker include powerful digital signal processing components that, when configured properly, ensure that your music sounds as good as it can. Your motorcycle audio system should, of course, be the same.

Drop by your local specialty mobile enhancement retailer to find out about the options available to upgrade the performance of the audio system on your motorcycle.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: RESOURCE LIBRARY, ARTICLES, Motorcycle Audio

What Are the Advantages of a Three-Way Front Stage?

Three-Way Front Stage

When it comes to upgrading your car audio system to deliver amazingly realistic performance, many people choose what’s known as a three-way front stage. In the simplest of terms, this refers to there being three speakers on each side of the vehicle. As we explained in our article about the need for different speaker sizes, your audio system requires woofers and tweeters to reproduce your music properly. The question is, why add dedicated midrange drivers to the mix? Read on to learn the answer.

Three-Way Front Stage
The RS Series speakers from ARC Audio offer amazing performance and accuracy, combining the RS 6.0 for midbass, the RS 3.0 for midrange and the RS 1.0 tweeters.

The Source of Sound

One key advantage of using a dedicated midrange speaker with a woofer and tweeter is that the small speaker can be placed on the dash or at the top of the door. These locations can deliver the perception that the voices are coming from a point higher in the vehicle than if you were relying solely on a woofer mounted in the door. Ideally, your audio system should — when designed, installed and calibrated properly with a DSP — seem to reproduce a soundstage that spans the middle of your windshield from pillar to pillar, or beyond.

In a two-way speaker system with a woofer and a tweeter, audio frequencies below 3,500 Hz may seem to come from the doors. This causes the height of the soundstage to be stretched vertically in the vehicle, and it detracts from the sense of realism. Adding a set of midrange speakers can raise the soundstage.

Consistent Frequency Response

Every speaker in the world, from every manufacturer, experiences a phenomenon called directivity. Directivity refers to the shape of the sound being created by the speaker with respect to the frequency of the sound. Take, for example, a 6.5-inch woofer. At low frequencies, the sound created by a speaker emanates in a spherical pattern that would, if possible, extend behind the speaker itself. This characteristic is part of why the shape of the mounting surface for a speaker is so crucial to its performance.

Three-Way Front Stage
This polar response graph shows the shape of the sound created by a speaker relative to the angle of the listener. This is the radiation pattern based on frequencies with wavelengths more than twice the diameter of the cone.

As the output frequency increases, the shape of the sphere moves from being equal in a 360-degree circle around the speaker to a ball in front of the speaker. The sound created outside this ball doesn’t cease to exist, but it is definitely attenuated (quieter).

Three-Way Front Stage
Even when the wavelength is the same as the cone diameter, the dispersion pattern remains relatively spherical, but attenuates beyond 45 degrees
Three-Way Front Stage
As the output frequency wavelength approaches twice the cone diameter, the dispersion pattern starts to narrow even more.

A further increase in frequency results in the ball narrowing to what would be perceived as a spotlight shape. Unless you are in front of the speaker, these audio frequencies will be quieter.

Three-Way Front Stage
When the wavelength is one fifth of the cone diameter, the output is balloon shaped and listening off-axis may result in this high-frequency information not being audible.
Three-Way Front Stage
At wavelengths of one tenth of the cone diameter, the output pattern is very directional. At even 30-degree’s off-axis you will hear very little.

Directivity is an issue because, in almost every vehicle, the speakers aren’t aimed on-axis with the listener. For a door-mounted woofer, we may be at as much as a 70-degree angle. If this speaker is operated with a tweeter and filtered at 4,000 Hz, we may be sitting in a position where there is very little output.

The chart below shows, in general terms, the maximum frequency you want to use for a given size of speaker in order to maintain smooth frequency response throughout the listening environment.

Three-Way Front Stage
For optimum performance and predictability, the upper-frequency limit for a speaker is a frequency with a wavelength that is 1.75 times the cone diameter. Put another way, you want the next speaker to be able to play low enough that this speaker’s directivity doesn’t become a problem.

Increased Low-Frequency Output

For the product specialist designing your audio system, selecting a woofer, midrange and tweeter for a three-way front stage may, depending on the brand being used, allow for a slight improvement in bass performance from the woofers. Since there’s no need for the 6.5- to 8-inch woofers to produce midrange frequencies much above 400 Hz, the cones can be a little heavier, so they play deeper than a similarly sized speaker that needs to play to 4,000 Hz.

Some companies switch from using a phase plug on their midrange drivers that play higher frequencies to adding a dust cap. The dust cap adds mass to lower the resonant frequency of the driver.

Another advantage, especially for those audio systems without a subwoofer: Your installer can turn up the output of the woofer relative to the midrange to increase bass output.

Three-Way Front Stage
The Audison Voce AV 6.5, AV 3.0 and AV 1.1 make a great three-way front stage solution.

Though the image below doesn’t exactly follow the laws of physics, it shows how the output of a three-way speaker system delivers even sound distribution at the listening position.

Three-Way Front Stage

The image below shows, in the same artistic fashion, how upper-midrange audio information from a door-mounted woofer may not be clearly audible at the listening position.

Three-Way Front Stage

Three-Way Front Stage System Design

Many companies offer three-way speaker sets that include passive crossover. Passive crossovers allow all three speakers on each side of the vehicle to be powered by a single amplifier channel. In most cases, the crossover points are fixed with passive networks, though some do include options for midrange and tweeter output levels.

To optimize the performance of a three-way front speaker set, it’s best to use a six-channel amplifier along with a digital signal processor. The features of the processor allow your installer to fine-tune the output of each speaker to deliver accurate and natural frequency response at the listening position.

Upgrade Your Car Audio System Today!

If you’re after the most realistic, detailed and accurate car audio system performance available, drop by your local specialty mobile enhancement retailer and ask about upgrading your vehicle with a three-way speaker set. Once it’s installed and calibrated, the results will be amazing!

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: RESOURCE LIBRARY, ARTICLES, Car Audio

Do I Have To Use Both Coils on My Car Audio Subwoofer?

Subwoofer Coil

A while back, we took a look at the difference between single and dual-voice-coil subwoofers. In a nutshell, there is no benefit or drawback to either choice. The options exist so you can present the amplifier you have chosen with a load impedance that allows it to make power reliably. There have been many instances where consumers bring a subwoofer into a car stereo shop in hopes of using it in their vehicle only to find out it’s not the right impedance. They need a 4-ohm sub instead of a dual 4-ohm. The question then becomes, can you use just one of the voice coils? That’s a fair question, and it deserves a detailed answer.

Can You Use Only One Subwoofer Voice Coil?

If you look at the voice coil former and the winding of a single-voice-coil sub, you’ll find a single positive and negative connection. On a dual-voice-coil sub, there are two pieces of wire and two sets of connections. The coils can be wired in series, in parallel or individually to power the subwoofer.

Car audio installers can use a set of specifications called Thiele/Small parameters in conjunction with modeling software to predict the performance of a subwoofer in a specific enclosure. All subwoofer manufacturers provide these specifications with both coils in use.

The short answer about using one coil is no. Using one coil not only affects the thermal power handling capabilities of a subwoofer, but it also changes the strength of the magnetic field and alters the Thiele/Small specifications. Rather than explain the math involved in the change, let’s use an example.

Subwoofer Coil
Some subwoofers have all four voice coil terminals together in a single block. This Sony XS-GSW121D is a great example.

Thiele/Small Parameter Changes

Let’s start by measuring the parameters of an inexpensive 12-inch dual-voice-coil subwoofer. We measured the subwoofer with both coils wired in parallel, then we disconnected one coil and repeated the test. The results are in the chart below:

Subwoofer Coil
Thiele/Small parameters for the same subwoofer using one voice coil, and both voice coils wired in parallel.

Sealed Enclosure Performance

We modeled the subwoofer performance using both voice configurations in VituixCAD 2 software. We started with a simple sealed (acoustic suspension) enclosure with a net internal volume of 1.08 cubic feet. Graph 1 shows the output of the subwoofer with 2.83 V (which is 8-watts into a 4-ohm load) applied to the coil. The response is nice and smooth, with a good transition from the midbass region and very little ripple. The Qtc (Total Q Factor) for the system with both coils connected is 0.8. This is a good balance between low-frequency extension, efficiency and low-distortion operation. The black trace that slopes down on the left shows predicted SPL.

Subwoofer Coil
Graph 1 – 12-inch DVC in 1.08 cubic feet with both voice coils wired in parallel.

Graph 2 shows the response of the same driver when only one voice coil is connected. You can see that the overall output of the system has decreased significantly and that there is a lot more ripple (a big bump in the response around 57 Hz. It’s also worth noting that the total system Q has jumped to 1.18. This Qtc value is quite high and will add resonance and distortion to the system.

Subwoofer Coil
Graph 2 – 12-inch DVC in 1.08 cubic feet with only one of the two coils in use.

Vented Enclosure Performance

Next, we designed a vented (bass reflex) enclosure using the specs taken with both coils in parallel. We simulated a 2-cubic-foot enclosure with a vent tuned to 35 Hz. As you can see from Graph 3 below, using both voice coils results in relatively smooth performance across the entirety of the operating range. The system efficiency has increased dramatically as compared to the sealed enclosure, with a jump in predicted output from 87 dB to 94 dB with the same amount of power.

Subwoofer Coil
Graph 3 – 12-inch DVC in 2.0 cubic feet tuned to 35 Hz with both voice coils wired in parallel.

Finally, we can see in Graph 4 how poor the performance of the subwoofer is with only one coil connected. Output at 40 Hz has dropped by 4.5 dB, and the overall response definitely isn’t as smooth.

Subwoofer Coil
Graph 4 – 12-inch DVC in 2.0 cubic feet tuned to 35 Hz with only one of the two coils in use.

Make Sure Your Subwoofers are Wired Properly

The above simulations clearly demonstrate the importance of using car audio subwoofers as they were designed. Your installer will need to wire both voice coils to your amplifier to ensure that the subwoofer maintains its power rating and functions the way the manufacturer designed it. If you have any questions, work with your local specialty mobile enhancement retailer.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: RESOURCE LIBRARY, ARTICLES, Car Audio

Modern Marine Radio Options for Your Boat or UTV

Marine Radios

Marine radio designs and features have come a long way. Years ago, when Clarion introduced the first marine radios to the world, they were enhanced versions of Clarion’s car stereo solutions. Soon after, water-resistant faces were added to allow the radios to stay outside in the cockpit all year long. Over the next few decades, remote controls were added to make controlling the radio from anywhere onboard easier. In the last decade, marine source shapes have become flexible, and the source selection options are downright impressive.

Marine Radios
The Hertz HMR-20 features an IP66-rated front panel, Bluetooth audio streaming and a USB port to play your digital audio files.

Marine Radio Size Options

Most marine radios started as single-DIN car radios. The standard 2-inch-tall by 7-inch-wide chassis was outfitted with a front panel with silver or white trim. The displays were upgraded from their car audio brethren with reverse-LCD displays that were easier to see in bright sunlight. Inside these radios, the circuit boards were sprayed with a plastic layer called a conformal coating. This barrier helped keep the tiny connections on electronic components from corroding in high-humidity conditions.

Marine Radios
The Sony DSX-M80 is a single-DIN marine radio with dual USB ports and a High Power amplifier capable of producing 40 watts per channel.

Companies like Kenwood, Sony, Clarion, Fusion and Aquatic AV offered radios with an oversized front panel that was water-resistant. The large face mounted securely to the boat, and a flip-down design provided access to the cassette (remember those?) or CD slot. Over the years, these radios evolved into digital-media-only designs. Fusion had radios with room for an iPod inside the unit. The latest radios no longer have flip-down faces as many boat owners play music stored on their smartphone via a Bluetooth audio streaming connection.

Two-piece radios grew in popularity around 2010. These radios featured a hideaway control box that was suspiciously similar in size to a standard single-DIN radio, then a compact control module that was roughly 4 by 6 inches. The controller had the benefit of not requiring any significant amount of mounting depth, other than for its control cable. Currently, the most popular of these are available from JL Audio, Rockford Fosgate, Kicker and Fusion.

The final evolution was the gauge-sized radio. Many companies, including JBL, Hertz, Aquatic AV, Dual and Kicker, offer a compact radio that will fit into the same opening as a 3-inch dash gauge like a tachometer.

Marine Radios
JL Audio’s MM80-HR is a digital media source unit designed to work with NMEA 2000 control units. It includes a four-channel 120-watt RMS amplifier, multi-zone control, Bluetooth audio streaming and dual USB ports.

Modern Marine Integration Options

As the popularity of multifunction displays (MFD) from companies like Raymarine, Lowrance and Garmin has increased, radio manufacturers have developed integration solutions to let these navigation devices communicate. Clarion offers the MW6 interface that provides basic NMEA 2000 connectivity with a host of MFDs. JL Audio’s MM80-HR hideaway marine source unit works with Simrad, Lowrance and B&G MFDs and features a four-channel, 30-watt-per-channel amplifier. Rockford Fosgate also has a black-box NMEA 2000 radio called the PMX-8BB that works with its PMX-CAN interface to communicate with many Garmin and Raymarine MFDs.

Marine Radios
The Apollo Series from Fusion includes Wi-Fi connectivity for high-quality audio streaming and a glass front panel for a classy look.

Fusion’s Apollo Series radios have a Wi-Fi radio built in and allow iPhone and iPad users to stream audio using Apple AirPlay 2. Fusion says this wireless communication protocol offers a dramatic improvement over Bluetooth.

Upgrade Your Marine Radio Today

Whether you need to replace an older, water-damaged or worn-out CD player, or you want state-of-the-art connectivity and control, upgrading the radio in your boat is a great idea. Drop by your local specialty mobile enhancement retailer today to find out about the options available to make your time on the water more enjoyable and entertaining.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: RESOURCE LIBRARY, ARTICLES, Marine Audio

Product Spotlight: Sony XAV-AX5600 Multimedia Receiver

Sony XAV-AX5600

When it comes to bang-for-your-buck car audio receiver upgrades, the Sony XAV-AX5600 offers amazing value and performance. This double-DIN multimedia unit is based around a 6.95-inch capacitive touch display. In addition, it includes Apple CarPlay and Android Auto smartphone integration and support for playback of most of your digital media files. Best of all, the radio is easy to use and looks great in the dash of your car, truck or SUV.

Easy to Use and Looks Great!

Above everything else, the XAV-AX5600 radio features an intuitive interface and lightning-fast response to your input. Whether you want to access the tuner to listen to the news or your favorite radio station, stream audio from your smartphone using Bluetooth or play files from a USB memory stick, all the sources are quickly accessible from the main menu screen.

The XAV-AX5600 features two USB jacks on the rear of the chassis. USB1 is the primary connection to your smartphone for CarPlay and Android Auto integration. These technologies let you use simple voice commands to send text messages, make phone calls, get navigation directions or choose the entertainment options you want. The radio uses Bluetooth 3.0+EDR and includes A2DP with AVCRP, HFP and PBAP profiles to listen to music and place phone calls easily and intuitively. In addition, Sony includes an external microphone that your installer can mount in the center of your vehicle to deliver crystal-clear outgoing audio during Bluetooth calls and accurate responses to voice commands.

You can connect a USB memory stick to either port to play MP3, WMA and FLAC audio files. Playback of WAV and AAC audio along with MPEG-4, WMV, MKV and XviD video files is supported by USB1 exclusively. USB1 is rated for 1.5 amps and USB2 can provide 500 mA in terms of power to charge your phone. FLAC file compatibility is specified for tracks encoded with a bit depth of 24 and a sampling rate of 48 kHz.

Sony XAV-AX5600
Twin USB pigtails on the rear of the XAV-AX5600 allow you to connect your phone and a USB memory stick simultaneously.

From an audio feature standpoint, the XAV-AX5600 includes a 20-watt per channel, four-channel amplifier along with front, rear and subwoofer RCA outputs. Each preamp output is rated to provide up to 5 volts of signal so your installer can keep the gains on your amps down. High-pass crossovers adjustable to 50, 60, 80, 100 or 120 Hz are available from the deck power and front/rear preamp outputs. The subwoofer output has an adjustable low-pass crossover with the same frequency options and an output level control that is easily accessible from the equalizer menu. Speaking of equalization, the radio includes a 10-band equalizer as well as Sony’s Extra Bass and Digital Soundstage Organizer (DSO) processing to help make your audio system sound amazing. The EQ has adjustment bands at 32 Hz, 63 Hz, 125 Hz, 250 Hz, 500 Hz, 1 khz, 2 khz, 4 kHz, 8 kHz and 16 kHz to tame peaks and valleys in the response of the audio system.

Sony XAV-AX5600
Sony’s EQ10 10-band equalizer allows you to fine-tune the sound of your car audio system.

Expansion Options Add Entertainment and Safety

A new feature from Sony for 2021 is the inclusion of an HDMI input on the back of the screen under the chassis. That way, when your vehicle is parked, you can play movies or video from a laptop, camera or game system right into the radio. Your car audio retailer can also add an SXV300 SiriusXM satellite radio tuner to the system so you can enjoy genre-specific content almost anywhere in North America without interruption. Another connectivity option is Weblink. You can connect your smartphone and mirror compatible apps from your device right to the screen of the radio.

The radio includes a dedicated video input for an optional backup camera. The camera image will display automatically when the vehicle is put in reverse. Sony includes customizable guidelines to help you back into a spot safely. If you’re towing a trailer, you can bring up the camera video feed any time (assuming your camera is powered) to ensure that everything is safe and secure.

Sony XAV-AX5600
A dedicated rear-vision camera input allows the driver to park and maneuver safely.

Amazing Integration and Installer-Friendly Design

The radio’s chassis is designed for double-DIN mounting locations, but the body of the radio is only a single-DIN, shallow-mount unit. This unique design gives your installer extra room for interface modules and wiring. The radio includes a steering wheel control interface jack that works with optional modules from iDataLink, PAC, Axxess and Scosche. The radio includes inputs for illumination dimming, a reverse trigger input for the backup camera and a parking brake input for video lockout while driving. Sony includes a remote turn-on output for external amplifiers.

As we mentioned, the 6.95-inch display features a capacitive-touch interface that helps deliver excellent brightness and contrast. Sony has a bezel-less front fascia that makes the XAV-AX5600 look as if it came with your vehicle right from the assembly line. The control panel with the six hard buttons protrudes slightly from the face, and the white backlighting looks elegant in any vehicle. Adjustable illumination brightness allows you to match the intensity of other dash lighting, and has independent brightness settings for when the vehicle lights are on and off.

Sony XAV-AX5600
The single-DIN chassis of the XAV-AX5600 leaves room for wiring and modules once installed in the dash of your car or truck.

Upgrade Your Drive with the Sony XAV-AX5600

If the technology in your car or truck isn’t state of the art, drop by your local authorized Sony car audio retailer and ask for a demonstration of the new XAV-AX5600. With a suggested retail price of $499.99 US/$649.99 CDN and a complete set of smartphone integration and entertainment features, this radio is a value that’s hard to beat. You can learn more about Sony Car Audio products by visiting their website, their Facebook page and their Instagram feed.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: RESOURCE LIBRARY, ARTICLES, Car Audio, PRODUCTS Tagged With: Sony

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